Post 8. The Chauvet Cave and the Lascaux Cave: Should They Be Considered Sacred Places (The Creation, Volume I: Chapter 1, Subhead 6)

The Chauvet Cave and the Lascaux Cave:  Should They Be Considered Sacred Places (Post 8. CVIC1S6)

As we have seen, the Chauvet cave and the Lascaux cave are closed to the public at the present time.  Is it possible that the Creator desired this so that these two caves could be treated with the reverence usually reserved for sacred places?  If so, what is sacred about the Chauvet cave and the Lascaux cave?  Perhaps, it is the activities that took place thousands of years ago in these caves, or in association with these caves, that, in the eyes of the Creator, are considered sacred.  And because these activities are considered sacred, the caves are considered sacred, also. 

In this regard, we have seen that the first artifacts of man that could be considered inspired sources were produced by the cave painters of the Aurignacian culture, who executed the paintings of the Chauvet cave about 30,000 B.C.  Perhaps, this is one reason the Chauvet cave is sacred in the eyes of the Creator.  These inspired sources, like other inspired sources that would be produced by man over the subsequent millennia, would be important in preparing man for the end of the present age.  The existence of these inspired sources, however, would not be revealed to man until the last decade of the twentieth century A.D.    Only at that time would they begin to benefit him.  And what benefit could man expect to receive at that time?  Simply stated, the inspired sources, it is believed, will make possible man’s initial step in the transformation of his present civilization to an advanced civilization, that is, one that employs mystical technology.  Following this, the transformation of the latter civilization to an advanced interstellar civilization that employs mystical technology could be considered an additional benefit, also.  This additional benefit, it is believed, will prepare man, technologically, for the end of the present age and the beginning of the future age, or as the latter is referred to in Christian eschatology-the age to come (Mt. 12:31-32).

However, the Chauvet cave is the cave, where transfer activity was first carried out by man, as well.  Perhaps, this is another reason the Chauvet cave is sacred in the eyes of the Creator.  This transfer activity, as we have seen, was carried out by the people of the Aurignacian culture between 35,000 B.C. and 30,001 B.C.  Here again, this transfer activity, like all transfer activity that would be carried out by man over the subsequent millennia, would be important in preparing man for the end of the present age and the beginning of the future age.  However, the purpose of transfer activity, that is, the higher purpose of transfer activity, would not be revealed to man until the day of the Lord (Isa. 2:10-22; Joel 2:1-11).  At that time, the benefit of this activity would become apparent to man.  What kind of benefit could man expect to receive in that day?  Like the inspired sources, transfer activity, it is believed, will prepare members of mankind, technologically, for the end of the present age and the beginning of the future age, or as he latter is referred to in Christian eschatology-the age to come (Mt. 12:31-32).  The role of the people-who were involved in transfer activity  since 35,000 B.C.-in assisting other members of mankind in the day of the Lord to prepare themselves, technologically, for the future age, will be discussed in greater detail in Chapter 3. 

Therefore, the Chauvet cave may be considered a sacred place by the Creator because of the two reasons, mentioned above.   But, what about the Lascaux cave?  What is it about this cave that would cause the Creator to consider it a sacred place?  As noted previously, the transfer activity of the people of the Aurignacian culture first involved intermarriage between these people and living entities of an advanced civilization that served the Creator-one that later became an advanced interstellar civilization. These intermarriages took place between 40,000 B.C. and 35,001 B.C.  These living entities were not Atlanteans.  However, the Creator, apparently, had Atlanteans in mind, when he, in 15,500 B.C., gave certain Atlanteans permission to dwell on the surface of the earth, intermarry with man, and become members of mankind. 

The members of mankind involved in these intermarriages were the people of the Magdalenian culture.  Although some of the progeny and descendants of those who intermarried were involved in transfer activity, the vast majority were not.  They would continue to dwell in their communities on the surface of the earth generation after generation.  However, they would be part of a growing number of people on earth who would possess part of an Atlantean genome.  The intermarriage of Atlanteans and members of mankind would not cease after the completion of the Magdalenian phase of these intermarriages about 15,001 B.C.  After this time, these intermarriages would continue among other cultures and civilizations of man until about 2000 B.C.   And the addition of the Atlantean genome to the genome of mankind during the period of time from 15,000 B.C. to 2000 B.C. would greatly assist the technological development of man and his rise to civilization during this time. 

Therefore, the Lascaux cave may be considered a sacred place in the eyes of the Creator because it was the people of the Magdalenian culture who were the first members of mankind to intermarry with Atlanteans.  These intermarriages, and all such intermarriages that would take place over the subsequent millennia (between 15,500 B.C. and 2000 B.C), would play a major role in developing the attributes-spiritual, mental and physical-that would enable man to develop a complex civilization, based on material technology.   After this was accomplished, the development by man of a complex civilization, based on mystical technology, would be possible.  The latter civilization, referred to in The Creation as an advanced civilization, will enable members of mankind-many of whom are alive on earth at the present time-to develop an advanced interstellar civilization and be prepared, technologically, for the end of the present age and the beginning of the future age, or as the latter is referred to in Christian eschatology-the age to come (Mt. 12:31-32).

One might conclude from the history of the Chauvet cave and the Lascaux cave that these caves were intended by the Creator to be memorials commemorating the three important events, mentioned above, and, as such, are only memorials to past events.  However, the Creator may not be finished with these caves.  It is possible that he intends to use them in the future for another important purpose, one which, once again, will have important implications for man, as well as and the Creator's plan and purpose for the creation and the life that dwells therein.


Commentary   

No comment is deemed necessary.  With regard to the higher purpose that the Creator had in mind concerning the Chauvet cave and the Lascaux cave, this will be addressed in Chapter 3.  This subhead concludes Chapter 1 of The Creation:  Its Infinite Features and Finite Realms, Volume I:  The Mystery of Inspired Sources and Their Significance to Man.




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Post 7. The Lascaux Cave and Transfer Activity by the People of the Magdalenian Culture Between 15,000 B.C. and 14,501 B.C. (The Creation, Volume I: Chapter 1, Subhead 5)

The Lascaux Cave and Transfer Activity by the People of the Magdalenian Culture Between 15,000 B.C. and 14,501 B.C. (Post 7. CVIC1S5)

The Lascaux cave, located in the Vezere Valley of the Dordogne River region of southwestern France is, undoubtedly, the most famous cave in Europe where Upper Paleolithic cave art has been found.  See map, Chapter 1, Figure 3 (Post 4), and click on the picture to enlarge the map.  This cave, like many other caves in the Dordogne River region, was decorated by people of the Magdalenian culture.  However, the paintings of the Lascaux cave, in their organization and execution, are more spectacular and intriguing than those of other caves. 

The people of the Magdalenian culture dwelt in southern France and northern Spain during a period of time that archaeologists refer to as the Magdalenian phase of the Upper Paleolithic period.  This phase is usually considered to have taken place between 15,000 B.C. and 9,000 B.C.  The paintings of the Lascaux cave were executed early in this period of time.  Radiocarbon dating of charcoal remains found in the Lascaux cave indicate that the cave art of that cave was executed sometime during the fifteenth millennium B.C., that is, between 15,000 B.C. and 14,000 B.C.  Three of these radiocarbon dating results are as follows:  13,566 ± 900 B.C., 14,050 ± 500 B.C., and 15,240 ± 140 B.C.¹⁰  In The Creation, the view taken is that the cave art of the Lascaux cave was executed during a relatively short period of time beginning about 14,500 B.C.  This short period of time may have only been two or three generations, after which the Lascaux cave no longer was used by the people of the Magdalenian culture, who decorated it.

Where did these people go?   This is not known, for certain.  Like other people of that time, the Magdalenians were migratory hunters who followed the animals that they hunted.  If climatic changes occurred, and this resulted in the animals leaving the region, or if the animals  became few in number, the clan or community dwelling near the Lascaux cave would be forced to move to another location, where hunting was better.  After the Magdalenians departed, it is possible that the entrance of the cave was partially hidden by soil displacement or vegetative growth until it no longer was clearly visible.  This may account for the pristine state of the cave art of the Lascaux cave when it was rediscovered in 1940 after many thousands of years.  Radiocarbon dating of charcoal found near the entrance of the Lascaux cave reveals that the cave was visited about 6,000 B.C.  The actual date obtained is 6,380 ± 60 B.C.¹¹ Because no charcoal remains or torch swipes of these people were discovered inside the cave, it is assumed that they did not enter the cave. These people, presumably, stayed only a short time. 

Concerning the period of time between 15,000 B.C. and 14,001 B.C., the view taken in The Creation is that explorers of the Magdalenian culture first entered the Lascaux cave about 15,000 B.C.  These explorers, except, perhaps, for the first party, did not decorate the cave. The decoration of the cave took place later in that millennium after the completion of transfer activity by the people of the Magdalenian culture.  The Magdalenians, who entered the Lascaux cave as explorers, rather than as artists, did so, it is believed, during a five hundred year period of time between 15,000 B.C. and 14,501 B.C.  When a person, or a small group of people, of the Magdalenian culture discovered the entrance of the Lascaux cave, it is assumed that they entered it.  But lacking a torch to provide light, they probably would have left the cave and returned to their clan or community.  Some of these people, thinking that they may have discovered an entrance to the underworld, probably would have planed to return to the cave and explore it.  In order to do this, they would have obtained fat-burning lamps and torches to provide light for the planned exploration, extra tallow for the lamps, and other items that they may have felt were necessary for this endeavor.  When they returned to the Lascaux cave the second time, they also may have been accompanied by several of their family and friends.  These, too, may have been called by the Creator to be involved in transfer activity.  These explorers, it is believed, after entering the cave with the intention of exploring it and seeking an entrance to the underworld, in most cases, discovered that which they were seeking, and never returned to their clan or community, again. 

Normally, it would be unusual for other members of the explorers’ clan or community not to be aware of the existence of a cave, such as this.  It would seem reasonable that the disappearance of people of the Magdalenian culture involved in transfer activity and the presence of the cave would have caused this cave to come under suspicion.  However, because of the involvement of living entities of an advanced interstellar civilization in this activity, this, apparently, was not the case.  As we shall see in Volume II of The Creation, these living entities used spaceships in support of this activity, and were capable of employing post hypnotic-like mind-control techniques to suppress, or manipulate, the conscious memory of the explorers involved in this activity, as well as others who were not.  Therefore, the people of the Magdalenian culture, who may have had some degree of knowledge concerning the significance of the Lascaux cave, may not have been capable of communicating this knowledge to others of their clan or community-except those whom the Creator had called to participate in transfer activity. 

Inspired sources reveal that after arriving at the entrance of the Lascaux cave, and entering the cave, the explorers-these numbering no more than five-would eventually find three instruments that had been placed within the cave by members of the advanced interstellar civilization, mentioned above.  By means of these instruments, the explorers would be capable of traveling from the Lascaux cave into the interior of the earth on, what is referred to in The Creation as the mystical pathway.  After a period of time, the explorers, it is believed, would arrive at a subterranean base, where living entities of an advanced interstellar civilization dwelt.  Here, the explorers would be received in friendship, and be made associate members of that civilization.  The transfer of people of the Magdalenian culture between 15,000 B.C. and 14,501 B.C. (and people of other cultures and civilizations at other times) to this advanced interstellar civilization located beneath the surface of the earth comprises what is referred to in The Creation as transfer activity.  Although this may define transfer activity, the purpose of transfer activity is another matter, and will be discussed in Chapter 3 (Posts 13-17).

The symbolism of inspired sources reveals that transfer activity did not come to an end in 14,501 B.C.  This time only marked the completion of the Magdalenian phase of this activity.  After this, people of other cultures and civilizations on earth, apparently, were involved in transfer activity, also.  Inspired sources reveal that this continued until A.D. 1500, at which time transfer activity appears to have ceased, altogether. The people of other cultures and civilizations, who were involved in transfer activity, like the Magdalenian people, transferred to living entities of an advanced interstellar civilization, dwelling in a subterranean base located beneath the surface of the earth.  However, these people did not all transfer to the same subterranean base. They transferred to subterranean bases that were built over the course of time as the need for them arose.  As noted previously, these subterranean bases are referred to in The Creation as grottobases.  The grottobases associated with transfer activity are referred to in The Creation as transfer activity grottobase complexes, and were constructed to meet the needs of people involved in transfer activity.  These complexes possessed a limited tunnel system that did not join any other tunnel, except by means of secret tunnels, whose  access points was known only by certain living entities of the advanced interstellar civilizations that served the Creator. These complexes, it is believed, were facilities that once had been used for spaceship operations by Atlanteans of one the two branches of the former advanced civilization of Atlantis.  As we shall see in Volume III of The Creation, this branch is referred to as the advanced stellar civilization of Atlantis.  The other branch of this civilization is referred to as the advanced oceanic civilization of Atlantis.  It operated submarines.

Therefore, to reiterate, the grottobases to which the people of the Magdalenian culture involved in transfer activity transferred were part of transfer activity grottobase complexes that had been converted from the Atlantean facilities, mentioned above.  This conversion, apparently, took place, when the Creator decided that a transfer activity grottobase complex was needed.  At that time, the Atlanteans of the designated Atlantean ground tower-spaceship facility departed that facility and their place was taken by living entities of an advanced interstellar civilization. The latter converted the facility to a transfer activity grottobase complex, and inhabited it thereafter.  It was these living entities, who received the people involved in transfer activity at the large grottobase of the complex when these people arrived at the grottobase at the conclusion of their transfer activity.  These later, presumably, became associate members of that civilization.  For members of the Magdalenian culture, this large grottobase of a transfer activity grottobase complex was located beneath the surface of the earth near present day La Rochelle, France.  See map, Chapter 1, Figure 3 (Post 4), and click on the picture to enlarge the map.

The members of this advanced interstellar civilization possessed spaceships that were capable of traveling to distant stars.  However, when they arrived in a stellar system for the first time, and had received permission from the Creator to remain, they, apparently, sought rocky celestial bodies, such as the earth, to occupy.  Possessing the technological capability of constructing grottobases beneath the surface of the earth, they chose to do that, rather than dwell on the surface of the earth.  The primary grottobases of this civilization are believed to be located about a mile or so beneath sea level, but beneath the land areas of the earth.  These grottobases, it is believed, are connected by excavated tunnels, with the latter having access to the surface of the earth at a number of locations.  These locations, it is believed, are usually found in proximity to the submarine coastal areas of the continents and islands of the earth.  However, these primary grottobases are not the same as the transfer activity grottobase complexes, mentioned above.  The latter were intended solely for people involved in transfer activity, and the large grottobases of these complexes, it is believed, are not located as deep as those, referred to above as the primary grottobases.

The people of the Magdalenian Culture, who were involved in transfer activity between 15,000 B.C. and 14,501 B.C., must have been people who were inspired by the Creator to seek an entrance to the underworld.  The underworld, in the minds of these people, may have been conceived of as an underground paradise, where those who dwelt here had learned the secret of immortality and lived forever.  After gaining entry to the underworld, they probably expected to meet these immortal beings and learn the secret of their immortality.  If this is correct, then it is easy to understand why a person of the Magdalenian culture, who was inspired by the Creator to seek an entrance to the underworld, would be attracted to caves.  However, many caves existed in the Dordogne River region of France, and the Creator, apparently, chose only one of these-the Lascaux cave-as the entrance to the underworld for the people of the Magdalenian culture. 

The leader of the Magdalenian explorers, and the other explorers, each possessing a fat-burning lamp with extra tallow, torches, and other items that they may have thought necessary for this exploration, after entering the Lascaux cave, would have been capable of exploring all the passages and chambers of the cave in one day.  However, at one location within the cave the explorers would discover three portable instruments that would make possible their journey on the mystical pathway.  These instruments are referred to in The Creation as the instruments of mystical particle transfer.  Their use by the leader of the explorers would enable the explorers to undertake a journey on the mystical pathway into the interior of the earth.  At the end of their journey on the mystical pathway, they would arrive at their destination:  a large grottobase of an advanced interstellar civilization, where dwelt living entities, who were members of that civilization.  The latter, it is believed, would then receive the explorers in friendship, and prepare them to become associate members of that civilization.

As noted previously, most of those who entered the Lascaux cave, and began their journey on the mystical pathway, would not return to their former clans and communities.  However, it is likely that a few explorers, after entering the cave, and beginning their journey on the mystical pathway, would not complete the journey.  The latter, of course, would not have become associate members of the advanced interstellar civilization, mentioned above.  So, what became of these?  Presumably, these explorers would be returned to their clans and communities on the surface of the earth, but not before being subjected to post hypnotic-like mind control techniques.  Inspired sources reveal that these techniques were used by the living entities of the advanced interstellar civilizations in situations, such as this.  This treatment, it is believed, would have prevented those, who were administered it, from retaining a conscious memory of their experiences as these pertained to transfer activity and the Lascaux cave.

 Figure 7.  The journey of a person of the Magdalenian

culture involved in transfer activity on the mystical

pathway from the Lascaux cave to a large grottobase 

of a transfer activity grottobase complex located in the   

interior of the earth.  Click on the picture to enlarge. 

 

As we shall see in Volume II of The Creation, a specific place within the Lascaux cave appears to have been designated as the place where the explorers involved in transfer activity departed the surface of the earth.  Here, they would leave the cave, and begin their journey on the mystical pathway.  This journey, it is believed, involved three steps (Figure 7).  Click on the picture to enlarge.  The first step on the mystical pathway involved  the use of the instruments of mystical particle transfer to pass through the wall of the cave. After arriving at an excavated tunnel, the instruments would no longer be needed.  The explorers then would walk the tunnel until they arrived at a small grottobase. The entry of the explorers into this small grottobase would mark the completion of their first step on the mystical pathway.  After a rest at the small grottobase, the explorers would next travel to an intermediate grottobase.  Their entry into this intermediate grottobase would mark the completion of their second step on the mystical pathway.  Then, continuing their journey on the mystical pathway, but in another form, the explorers would eventually arrive at a large grottobase, where living entities of the advanced interstellar civilization dwelt.  Here, the latter would receive the explorers in friendship. The entry of the explorers into the large grottobase would mark the completion of the third, and last, step of their journey on the mystical pathway.  It would also mark the beginning of their new life as associate members of an advanced interstellar civilization.  The three steps of the mystical pathway will be discussed in greater detail in Volume II of The Creation.

Although the large grottobase, referred to above, that received the Magdalenian explorers was beneath the surface of the earth in the vicinity of the Lascaux cave, it probably was not located directly below the cave.  Vertically, it may have been less than one mile beneath the surface of the earth; but, horizontally, it may have been between forty and one hundred and thirty miles, or more, from the Lascaux cave. The symbolism of inspired sources reveals that several means of transportation were employed by explorers involved in transfer activity during their journey on the mystical pathway.  As noted above, the first step of this journey by the explorers involved the use of the instruments of mystical particle transfer and walking. But after this, the second and third steps of the journey involved the use of mechanized means of transportation.  Therefore, it is possible that the people of the Magdalenian culture involved in transfer activity may have traveled a hundred miles, or more, to reach their destination.

Returning to the cave art of the Lascaux cave, it may be recalled that radiocarbon dating indicates that this art was executed during the fifteenth millennium B.C.  The view taken in The Creation is that the execution of the cave art of the Lascaux cave took place following the completion of transfer activity in the cave.  Because transfer activity appears to have taken place between 15,000 B.C. and 14,501 B.C., the decoration of the cave, it is believed, took place about 14,500 B.C., or shortly thereafter.  As noted previously, most of those, who have studied the cave art of the Lascaux cave believe that it was accomplished under the leadership of one person, or a small group of people, with a single vision.  However, it is possible that the leader, referred to above, may have been the Creator, himself. The Creator, working through the person of the Son (the Word), and by the person of the Holy Spirit, may have guided the work of the cave painters to ensure that the organization and execution of the cave paintings expressed the symbolism that the Creator desired to be present, when the cave was rediscovered by man in the twentieth century.

But regardless of who was ultimately responsible for the organization of the cave art of the Lascaux cave, the very existence of this organization tends to support the view of most archaeologists, who have studied the cave. And that is that the execution of this cave art was accomplished by the same group of people over a relatively short period of time.  This would seem to indicate that the decoration of the Lascaux cave did not take place during the entire one thousand years of the fifteenth millennium B.C. because this would be a relatively long period of time.  Likewise, this would also seem to indicate that the decoration of the cave did not take place after completion of the transfer activity, during the latter five hundred years of the fifteenth millennium B.C. because this, too, would be a relatively long period of time.  However, if the cave art of the Lascaux cave was executed within two or three generations after the completion of transfer activity by the people of the Magdalenian culture about 14,501 B.C., this would be a relatively short period of time, and as such, would be in general agreement with most archaeologists who have studied the cave.


Commentary 

With the appearance of the people of the Magdalenian culture on earth about 15,000 B.C., man's history now begins to be influenced by an advanced civilization, which has come to be known by the name of Atlantis.  A large part of Volume III of The Creation is devoted to the past civilization of Atlantis and its significance to man-not only in the past, but in the present and the future, as well.  However, here we shall only state that the people of the Magdalenian culture are believed to be the progeny and descendants of a small number of Atlanteans, who the Creator permitted to leave their grottobases, dwell  on the surface of the earth, and intermarry with members of mankind.  The Magdalenian culture, it is believed, was the first of many subsequent cultures and civilizations on earth, that would be comprised to some degree of people who possessed an Atlantean genome.  This intermarriage between Atlanteans and members of mankind, it is believed, took place between 15,501 B.C. and 15,000 B.C. The progeny and descendants of those who intermarried were the people of the Magdalenian culture, who either were involved in transfer activity or who passed on their Atlantean genome to future generations of mankind on earth through others of their progeny and descendants.  Although it is not known, for certain, who the members of mankind were that the Atlanteans intermarried with (they may or may not have been members of the Magdalenian culture), the progeny and descendants of these intermarriages apparently became the people of that culture.  The subject of intermarriage between Atlanteans and members of mankind on earth between 15,501 B.C. and 15,000 B.C., as this is believed to pertain to the people of the Magdalenian culture, is also discussed in the following subhead.




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Post 6. The Discovery of the Lascaux Cave (The Creation, Volume I: Chapter 1, Subhead 4)

The Discovery of the Lascaux Cave (Post 6. CVIC1S4)

The Lascaux cave is located near Montignac, France in the Dordogne River region of southwestern France.  See map, Chapter 1, Figure 3 (Post 4), and click on the picture to enlarge the map.  Between 14,500 B.C. and 14,001 B.C., this cave was decorated by people of the Magdalenian culture, who lived in the vicinity of the cave.  People of the Magdalenian culture dwelt elsewhere in southern France and northern Spain at this time, and wherever they dwelt, they left a legacy consisting of cave paintings of Upper Paleolithic animals for modern man to discover and greatly admire. Those, who study parietal art, generally, consider the Lascaux cave to possess the finest cave paintings executed in Europe in the Upper Paleolithic period.  The cave, however, was abandoned sometime in the fifteenth millennium B.C., and after this the decoration of the cave ceased, altogether.  The Magdalenian people, who lived in the vicinity of the cave, and were responsible for its decoration, apparently, left the area and settled elsewhere.  Over the course of time, the entrance of the Lascaux cave became hidden and lost to mankind.  As a result, the paintings that cover the walls and ceiling of the cave were undisturbed by man for sixteen thousand years. 

Then, on September 12, 1940, four young men were walking through the Lascaux forest.  Their dog, apparently, discovered a hole in the ground and entered into it.  The young men, concerned for their dog, investigated, and discovered that the small hole was an entrance to a cave. They managed to enter the cave. But possessing no source of light other than matches, they soon left and returned to the surface.  The next day, the young men returned to the cave.  They now were in possession of a lantern, and when they entered the cave, the light of the lantern revealed-to their great amazement-that they had discovered a cave of paintings. 

The Lascaux cave is not a large cave.  It consists of two main passages that have a combined length of about 300 feet.  Several galleries and chambers exist along these two passages.  In addition to paintings of animals, such as aurochs, bison, horses, deer, ibexes, a rhinoceros, and a unicorn-like animal, the cave is also decorated with mysterious geometric signs.  Archaeologists, excavating the floor of the cave, have found a large number of flint pieces that are typical of the Magdalenian culture, bone tools, such as spears, and many lamps.  These are fat-burning lamps with wicks, which must have been used to provide light during the decoration of the cave.  Radiocarbon dating of charcoal found in the cave has yielded readings that are consistent with the use of the Lascaux cave by the Magdalenian people in the fifteenth millennium B.C.  Most archaeologists believe that the entire cave was decorated by the same group of people during a brief span of two or three generations, and this was accomplished under the leadership of one person or a small group of people with a single vision.  Under the circumstances, it is possible that the Creator, himself, was the source of that vision.

After the discovery of the cave was made known to the public, it was visited by more and more people, and became a popular attraction.  The large number of visitors that entered the cave between 1940 and 1963 caused a change in the humidity of the cave.  This resulted in the formation of fungi on the walls of the cave, and on April 20, 1963 the Lascaux cave was closed.  Although the cave is now largely free of fungi, it is no longer open to the public.  However, a replica of the Lascaux cave has been built nearby, and this is open to the public.

As in the case of the Chauvet cave, it would not be unreasonable to assume that the Creator was involved in the decision by the French government to preserve the Lascaux cave and close the cave to the public.  Perhaps, the Lascaux cave, in the eyes of the Creator, is a sacred place, and he desired that it be treated with reverence by man.  The reasons why the Lascaux cave may be considered sacred in the eyes of the Creator will be discussed at the end of the chapter.


Commentary

 The above account of the discovery of the Lascaux cave by four young men and a dog in 1940, it is believed, has symbolic meaning that extends into the past and may project into the future, as well.  In the context of the past, inspired sources reveal that the people of the Magdalenian culture  involved in transfer activity at the Lascaux cave in the fifteenth millennium B.C. began their journey on the mystical pathway in parties that consisted of no more than five people, including the leader of the group.  The latter was also the mystical particle transfer operator of the party and operated the instruments of mystical particle transfer.  Because these instruments were portable, the operator could take them with him on his journey to the underworld of the earth.  Others of the party who accompanied the operator, followed him-presumably in single file-as they  journeyed together on the mystical pathway into the interior of the earth.  In their minds their destination was the underworld of the earth where immortality could be obtained and paradise beckoned.  However, their true destination, unknown to them at the beginning of their journey, was a grottobase of an advanced interstellar civilization inhabited by living entities of that civilization. 

In the above account of the discovery of the Lascaux cave, it may be recalled that it was the dog that discovered the small hole in the ground that was the entrance to the Lascaux cave.  And it was the dog that was the first of the party to enter the cave. in the above account, the dog could be viewed, symbolically, as the mystical particle transfer operator who was the leader of the group of people who journeyed on the mystical pathway into the interior of the earth.  However, before they could do this, they first had to locate the instruments of mystical particle transfer that the living entities of an advanced interstellar civilization had left for them to find within the cave.  Presumably, these were left at the place in the cave where the transfer point was located.  The leader of the party, like the dog, mentioned above, presumably took the lead in entering the cave and exploring it, and it was probably he who discovered the  instruments and the transfer point associated with them.  The four young men, in this context, symbolically, could be viewed as those who accompanied the operator on the journey on the mystical pathway.  The young men numbered four, and as noted above, inspired sources indicate that this is the maximum number of people who could accompany a mystical particle transfer operator on the mystical partway.

There is, it is believed, more than one similarity between the manner in which the Lascaux cave was discovered in 1940 and the manner in which the Lascaux cave was discovered by the people of the Magdalenian culture involved in transfer activity in the fifteenth millennium B.C.  It may be recalled that the four young men, after following the dog into the Lascaux cave, attempted to explore the cave.  However, lacking an adequate source of light (they only had matches, they decided to leave the cave and return another day with a lantern.  When they returned, the light of their lantern revealed that they had discovered a cave of paintings, and with amazement, they began to explore the cave.  It would not be unreasonable to assume that the events above may be analogous to the events that took place, when the Lascaux cave was discovered by the people of the Magdalenian culture involved in transfer activity.  A lone person or a small party of people of that culture may have accidently discovered the cave.   The term used above is "accidently," however, we must realize that if it was the Creator's will for one to discover this cave, this was not an accident.  This person may have been seeking an entrance to the underworld for a long time, and may have thought that he, at last, had discovered the entrance to that world.  However, he would not have on his person a oil lamp or a torch to provide light, so he would have been forced to leave the cave and return to his dwelling. 

If, after returning to his clan and community, he felt that a return to the cave was not worth the effort, he would have demonstrated his lack of faith in the destiny that the Creator had in mind for him.  He would continue to live as a primitive person of the Magdalenian culture, with others of his kind, perhaps, for the rest of his life.  However, if he followed through on his plan to return to the cave and took with him oil burning lamps and torches, to provide light for the exploration of the cave, he would have demonstrated his willingness to seek a different destiny-one that would draw him closer to the Creator.  In addition, the Creator may have prepared several of his family and friends to accompany him, when he returned to the cave.  Presumably, they too were interested in seeking an entrance to the underworld.  Therefore, when this person returned to the Lascaux cave, he may have been accompanied by up to four other people. 

When they arrived at the cave, the light of their oil burning lamps and torches now permitted them to explore the cave.  Eventually, they would be drawn to a place in the cave, which today is called the Chamber of the Felines.  This place, it is believed, was the transfer point of the cave, and here the party may have discovered the instruments of mystical particle transfer.  After the leader of the group learned how to operate these instruments, the party, led by the leader, who was also the mystical particle transfer operator, would be capable of passing through the solid rock of the walls of the cave into the interior of the earth.  They, undoubtedly, at this early stage of their journey, did not know their destination.  But the Holy Spirit would lead the way, and eventually they would arrive at their destination safe and sound.

With regard to the symbolic meaning of the account of the discovery of the Lascaux cave by the four young men and a dog in 1940 as this may apply to the future, it is possible that this is associated with that time in Christian eschatology referred to as the day of the Lord (Isa. 2: 10-22; Joel 23:1-11).  In Isa. 2:12,19, we read:

                                12 For the day of the Lord of hosts shall be upon 
                                 every one that is proud and lofty, and upon every 
                                 one that is lifted up; and he shall be brought low:
                                  ...
                                 19 And they shall go into the holes of the rocks, 
                                  and into the caves of earth, for fear of the Lord,
                                  and for the glory of his majesty, when he ariseth 
                                  to shake terribly the earth.

Although these passages appear to refer to the unrighteous in the day of the Lord, and states that they will "go into the holes of the rocks, and into the caves of he earth," it does not state that they will journey by means of the mystical pathway into the interior of the earth.  This may be reserved for the righteous in that day.




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Post 5. The Chauvet Cave and Transfer Activity by the People of the Aurignacian Culture Between 35,000 B.C, and 30,001 B. C. (The Creation, Volume I: Chapter 1, Subhead 3)

 
The Chauvet Cave and Transfer Activity by the People of the Aurignacian Culture Between 35,000 B.C. and 30,001 B.C. (Post 5. CVIC1S3)

The earliest known artifacts of man that have been recognized as inspired sources are the paintings of the Chauvet cave.  The latter is located in the Ardeche River region of southeastern France.  See map, Chapter 1, Figure 3 (Post 4), and click on the picture to enlarge the map.  These cave paintings were executed by the people of the Aurignacian culture between 30,000 B.C. and 28,000 B.C.  Although the inspired paintings of the Chauvet cave possess features typical of inspired sources, such as alignments and lines, the number of these and the symbolism of them is less complex than the inspired paintings of the Lascaux cave.  The latter is a famous cave located in the Dordogne River region of southwestern France that was decorated by the people of the Magdalenian culture in the fifteenth millennium B.C.  In addition to the people of the Aurignacian culture being the first people on earth to produce artifacts of man that are inspired sources, apparently, they were the first people on earth to be involved in transfer activity, also. The people involved in this activity, it is believed, used the Chauvet cave as a transfer point in the transfer from their primitive culture on earth to an advanced civilization that served the Creator.  Some of the living entities of this civilization dwelt in subterranean bases in the interior of the earth.  These subterranean bases of the advanced civilizations and the advanced interstellar civilizations that serve the Creator and Satan are referred to in The Creation as grottobases.  For members of the Aurignacian culture involved in transfer activity, this grottobase was their destination, and was located beneath the surface of the earth near present day Rennes-le-Chateau, France.  See map, Chapter 1, Figure 3 (Post 4), and click on the picture to enlarge the map.

Radiocarbon dating of charcoal fragments found in the Chauvet cave indicates that the cave was occupied during two different periods of time by two different people.⁴  The first occupation took place during the latter part of the Aurignacian phase of the Upper Paleolithic period (35,000 B.C.-25,000 B.C.), while the second occupation took place during the Gravettian phase of the Upper Paleolithic period (26,000 B.C.-20,000 B.C.).  The paintings of the cave were executed during the first occupation, that is, between 30,000 B.C. and 28,000 B.C.  Apparently, no paintings were executed during the second occupation between 25,000 B.C. and 24,000 B.C.  Three radiocarbon dating results from the first occupation are as follows:  30,410 ±720 B.C., 28,790 ±600 B.C., and 28,940 ±610 B.C.⁵   Therefore, based on radiocarbon dating results, it appears that the parietal art of the Chauvet cave was accomplished by the people of the Aurignacian culture between 30,000 B.C. and 28,000 B.C.⁶

If the above is correct, it  appears that the decoration of the Chauvet cave took place immediately following the completion of transfer activity by the people of the Aurignacian culture.   Therefore, for these people, transfer activity took place between 35,000 B.C and 30,001 B.C., and the decoration of the cave took place between 30,000 B.C. and 28,000 B.C.  As we shall see, a similar phenomenon concerning transfer activity and cave decoration appears to have taken place with regard to the people of the Magdalenian culture, as well.  In this case, transfer activity by these people took place between 15,000 B.C. and 14,501 B.C., and the decoration of the Lascaux cave took place between 14,500 B.C. and 14,001 B.C.  These two caves were just two of many that were decorated in Europe during the Upper Paleolithic period.  However, these two caves, it is believed, are considered special in the eyes of the Creator.  The reasons for this will be discussed at the end of the chapter (Post 8).  

Who were the people of the Aurignacian culture?   According to archaeologists, these people dwelt in Europe between 35,000 B.C. and 25,000 B.C, during a period of time that is referred to as the Aurignacian phase of the Upper Paleolithic period.  In The Creation, the view taken is that the people of the Aurignacian culture were the first people to be involved in transfer activity and the first people to produce artifacts that were inspired sources-the latter being the paintings of the Chauvet cave.  However, prior to the involvement of these people in the two activities, mentioned above, intermarriages are believed to have occurred between the living entities of an advanced civilization that served the Creator, and members of mankind.  These intermarriages, it is believed, took place between 40,000 B.C. and 35,001 B.C.  Although it is not known, for certain, who these members of mankind were- they may, or may not, have been members of the Aurignacian culture-the descendants of these intermarriages, apparently, became the people of that culture.  

Therefore, it is possible that the Aurignacean culture, or a branch of that culture, may have had its origin in southeastern France as a result of intermarriage between the living entities of the advanced civilization that served the Creator, mentioned above, and members of mankind.  Also, as we shall see, shortly, it is possible that the Magdalenean culture, or a branch of that culture, may have had its origin in southwestern France as a result of the intermarriage between  Atlanteans of the advanced civilization of Atlantis and members of mankind.  Just as the Chauvet cave, it is believed, was the primary, if not the only, transfer point for the people of the Aurignacian culture involved in transfer activity; the Lascaux cave, it is believed, was the primary, if not the only, transfer point for the people of the Magdalenian culture involved in transfer activity. 

The longer period of time during which transfer activity occurred in the Aurignacian phase of this activity may be attributable to the relatively fewer number of people of the Aurignacian culture that dwelt in southeastern France between 35,000 B.C. and 30,001 B.C., when compared to the Magdalenian phase of transfer activity involving people of the Magdalenian culture that dwelt in southwestern France between 15,000 B.C. and 14,501 B.C.  In order to arrive at equal numbers of people of both cultures involved in transfer activity, it may have been necessary to compensate for the fewer number of people of the Aurignacian culture dwelling on the earth by allowing a longer period of time for transfer activity to be carried out. 

On nearly all occasions, it was the progeny and descendants of the intermarriages between the living entities of the advanced civilization, mentioned above, and members of mankind, who were involved in transfer activity.  However, on at least one occasion this intermarriage and transfer activity that was carried out in southeastern France was accomplished by the same person.   As we shall see in Volume II and III of The Creation, this person was the leader, or king, of the advanced civilization, the living entities of which were involved in intermarriage with members of mankind between 40,000 B.C. and 35,001 B.C.  This leader, or king, it is believed, chose to dwell on the surface of the earth and intermarry with a member of mankind at a time near the end of the period of time allowed for this intermarriage to occur, that is, about 35,001 B.C.   Then, he was involved in transfer activity at a time near the beginning of the period of time allowed for transfer activity to occur, that is, about 35,000 B.C.   

As we shall see in Volume II and III of The Creation, the appearance of this leader, or king, on the surface of the earth about 35,000 B.C would allow him to participate in both intermarriage with man and transfer activity, becoming both a member of mankind as a result of the former, and a member (once more) of the advanced civilization, mentioned above, as a result of the latter.  Presumably, following the completion of his transfer activity, he, once more, became the leader, or king, of this advanced civilization.  This, it is believed, enabled him to be both a member of the advanced civilization that served the Creator at this time and a member of mankind.  This dual membership status, presumably, applied to his earthly wife and children, as well. 

Figure 4.  The inspired source, "Chauvet Cave:  the 

Panel  of the Horses" (Figure 4), including alignments

A, B, and C and the line D.  Standing in front of the

Panel of the Horses is Jean-Marie Chauvet, one of the

discoverers of the cave.  Click on the picture to enlarge.

 

 

 

Figure 5.  The inspired source, "Chauvet Cave:  the Panel

of the Horses" (Figure 5), with alignments not drawn for

better viewing of the features of the inspired source.  Click

on the picture to enlarge.

 

Before leaving the subject of the Aurignacian people and the Chauvet cave, it may be of interest to study an inspired source that pertains to the cave art of the Chauvet cave.  This is the inspired source, “Chauvet Cave:  The Panel of the Horses” (Figures 4 and 5).⁷  Figure 5 is the same inspired source as Figure 4, except in the former the alignments are not drawn to allow better viewing of the features of the inspired source.  Click on the pictures to enlarge.  This inspired source is an inspired illustrative photograph that appears in the book, The Dawn of Art: The Chauvet Cave, written by J. Chauvet, E. Brunnel Deschamps, and C. Hillaire.⁸ This inspired source, unlike the multiple inspired source, “Lascaux Cave” (Figure 1), discussed in Chapter 1, does not possess complex symbolism.  Therefore, it can be viewed as a typical inspired source.  This inspired source is comprised of three alignments and one line.  In this context, an alignment is defined as a straight line comprised of three or more alignment points, and a line is defined as a straight line comprised of two line points or a non straight line, comprised of two or more line points.  In the study of inspires sources, alignments are more common than lines, and usually are  more useful in revealing and understanding the symbolism of inspired sources.

The first alignment, alignment A, begins at point A1 located at the left eye of the highest of the four horses depicted on the cave wall, proceeds to point A2 located at the left eye of the next to highest horse depicted on the cave wall, continues to point A3 located at the left eye of the next to lowest horse depicted on the cave wall, continues to the left eye of the lowest of the four horses depicted on the cave wall, and terminates at point A5 located at the left cuff of the jacket worn by J. Chauvet. 

The three highest horses depicted on the cave wall, it is believed, symbolize three advanced interstellar civilizations that serve the Creator.  The fourth horse, and the one depicted lowest on the cave wall, it is believed, symbolizes man’s civilization, or with respect to the people of the Aurignacian culture, who painted this panel thousands of years ago, man’s culture.  However, since this inspired painting, and the symbolism associated with it, was not intended to be revealed to man until the present time, the term civilization is appropriate in this case.  This civilization, of course, is man’s present civilization-one which has not yet discovered mystical technology.  In contrast, the three advanced interstellar civilizations that serve the Creator, symbolized by the three highest horses depicted on the cave wall, have discovered mystical technology. 

In addition, the living entities of the three advanced interstellar civilizations symbolized by the three horses, mentioned above, are considered by the Creator to be “material angels” (in contrast to spiritual angels).   The reason for this, it is believed, is that these living entities employ mystical technology and practice an operation of mystical technology, referred to in The Creation as spiritual cloning.  Because no members of mankind of man’s present civilization employ mystical technology and practice spiritual cloning, the members of mankind who comprise that civilization are not considered by the Creator to be material angels.  As we shall see, shortly, this is symbolically depicted by the Panel of the Horses, also. 

It may be noted that alignment A terminates at point A5 located at the left cuff of the jacket worn by J. Chauvet.  This part of his jacket is clearly lighter than the rest of his jacket that is visible in the inspired source.  This, it is believed, symbolizes that, in the eyes of the Creator, the four civilizations symbolized by the four horses are clean and white.  In a symbolic or metaphorical sense, this means that they are righteous and holy.  And holy, in this context, means that they are sanctified, or separated for service to the Creator.  In addition, it may be noted that it is the left eye of each of the four horses that alignment A intersects, and it is at the left cuff of the jacket worn by J. Chauvet that the alignment terminates.  In inspired sources, the left signifies service to the Creator, while the right signifies service to Satan.  Therefore, these three advanced interstellar civilizations, mentioned above, and the civilization of man, which are symbolized by the four horses, can be viewed as loyal to the Creator.  With regard to man’s civilization, the Creator apparently views man’s present civilization as one that one day will be loyal to him in the same unequivocal way  that of the three advanced interstellar civilizations, mentioned above, are loyal to him. 

In addition to the four horses depicted in the inspired source, “Chauvet Cave:  The Panel of the Horses,” (Figure 4), a rhinoceros is depicted, also.  In fact, three rhinoceroses are depicted in this panel. Two of them are facing one another, but the third is more closely associated with the four horses.  This is the rhinoceros that will be the subject of the discussion below. This rhinoceros is also associated with alignment B.  Alignment B begins at point B1 located at the end of the large horn of the rhinoceros, proceeds to point B2 located at the shoulders of the rhinoceros, continues to the muzzle of the next to highest horse depicted on the cave wall, continues to point B4 located at the frontal aspect of the face of the next to lowest horse depicted on the cave wall, and terminates at point B5 located on the frontal aspect of the face of the lowest horse depicted on the cave wall.  Because the horns of animals are their means of defense, they can be viewed as symbolizing power.  The large horn of the rhinoceros, in this context, is believed to symbolize power, also. 

This rhinoceros appears to emerge from the next to lowest horse depicted on the cave wall, with which it is in contact.  Therefore, symbolically, this rhinoceros, it is believed, can be viewed as another advanced civilization or advanced interstellar civilization that in some way originated from the advanced interstellar civilization that is symbolized by the horse, mentioned above.   The large horn of the rhinoceros would seem to symbolize power, that is, power of a technological, military kind. This power may serve a protective purpose in providing security for the three horses, or civilizations, that alignment B intersects with at points B3, B4, and B5.  The civilization symbolized by the highest horse depicted on the cave wall, and, perhaps, even the civilization symbolized by the second highest horse depicted on the cave wall (alignment B may not actually make contact with the latter horse), apparently, do not need this advanced interstellar civilization to provide security for them.  As we shall see, the advanced interstellar civilization symbolized by the rhinoceros appears to be the one referred to in the multiple inspired source, “Lascaux Cave” (Figure 1) symbolized by alignment G.  See Chapter 1, Figure 1 (Post 3), and click on the picture to enlarge.
 

 

Figure 6.  The Panel of the Horses of the Chauvet cave

including the depiction of the three aurochs.  Click on

the picture to enlarge.

 

If one expands the left border of the inspired source, ”Chauvet Cave:  The Panel of the Horses” (Figure 4), he would discover three aurochs with horns that make contact with one another.  These three aurochs, it is believed, are spatially and symbolically associated with the three horses that symbolize the three interstellar civilizations, mentioned above.   These three aurochs are depicted in Figure 6.⁹  Click on the picture to enlarge the photograph.  Just as the large horn of the rhinoceros symbolizes the power of that advanced interstellar civilization, the horns of the aurochs are believed to symbolize the power of the three advanced interstellar civilizations symbolized by the three highest horses depicted on the cave wall.

In the inspired source, “Chauvet Cave:  The Panel of the Horses” (Figure 4), it may be noted that there exists in this inspired source an ambiguous, anomalous feature that resembles an angel with its wings spread.  This feature is located at the base of the horns of the aurochs depicted near the upper left border of the inspired source.  In Figure 5 this aurochs is more clearly visible and is the second to the highest of the three aurochs depicted.  This feature can be interpreted as a “material angel” (in contrast to a spiritual angel).  In this context, the term is used to describe a living entity of an advanced or advanced interstellar civilization that serves the Creator or Satan.  An alignment is associated with this ambiguous, anomalous feature.  This alignment is alignment C.

Alignment C begins at point C1 located at the top of the right spread wing of the angel, proceeds to point C2 located at the top of the left spread wing of the angel, continues to point C3 located at the frontal aspect of the face of the highest horse on the cave wall, continues to point C4 located at the frontal aspect of the second highest horse on the cave wall, and terminates at point C5 located at the top of the head of the second lowest horse on the cave wall.  Because alignment C intersects the horses, mentioned above, and does not intersect the fourth horse, which is the lowest horse on the cave wall, the alignment appears to signify that the three horses, which symbolize three advanced interstellar civilizations, are comprised of living entities, who are regarded as material angels by the Creator.  However, it may be noted that the rhinoceros is not intersected by alignment C.  Neither is the lowest horse on the panel, which is believed to symbolize man's civilization at the present time.  It is possible that the three horses intersected by alignment C will always be material angels both in the present age, and in the future age, or as the latter is referred to in Christian eschatology-the age to come (Mt. 12:31-32).  But the advanced interstellar civilization symbolized by the rhinoceros and man's civilization (which will become an advanced interstellar civilization sometime in the future) may not be material angels in that age.

Therefore, one should not automatically assume that when man’s civilization discovers and employs mystical technology that he will also practice spiritual cloning and become material angels in the eyes of the Creator, like the living entities of other advanced civilizations have done in the past.  Man’s place in the Creator’s plan and purpose for the creation and the life that dwells therein, in the future age, may be higher than that of the material angels.  Therefore, the Creator may not allow members of mankind that comprise man’s present civilization to become material angels in the present age or the next age, except , perhaps, on a temporary, conditional basis in the present age.   In addition, he may not permit the living entities of the advanced interstellar civilization symbolized by the rhinoceros to become material angels in the next age, also.   However, it is assumed that they are material angels in the present age.

There is a line concerning the angel depicted in the inspired source, “Chauvet Cave:  The Panel of the Horses” (Figure 4) that appears to support the symbolism revealed by alignment C, above.  This line forms an arc that follows the left wing of the angel, mentioned above.  It intersects the three highest horses depicted of the cave wall, as well as the rhinoceros, but does not intersect the lowest horse.  This, it is believed, symbolizes that the three highest horses, and the rhinoceros, symbolize four advanced interstellar civilizations that serve the Creator, the living entities of which employ mystical technology and practice spiritual cloning.  This means that they are material angels in the present age. However, the living entities of these civilizations, may not be material angels simply because they employ mystical technology, but because, in addition to mystical technology, they practice the operation of mystical technology referred to as spiritual cloning. Though this may be true, one would have to assume that the discovery and employment of mystical technology would have to precede the practice of spiritual cloning, whether those involved are living entities or people.  Because they practice spiritual cloning, they possess what is referred to in The Creation as limited immortality. 

As we shall see in Chapter 4, limited immortality is not the same as immortality.  The former postpones death, but does not release one from the inevitability of death, while the latter is more akin to eternal life as the term is understood in Christianity.  The lowest horse depicted on the cave wall, which is believed to symbolize man’s civilization at the present time, is not intersected by the arc of the angel’s left wing.  This, apparently, means that, except for the members of mankind who were involved in transfer activity and became associate members of an advanced interstellar civilization, the members of mankind that comprise man's present civilization, though they will discover mystical technology, may not practice spiritual cloning and become material angels.  Although they may not attain limited immortality by means of this operation of mystical technology, they will receive immortality in the form of eternal life by means of death and resurrection as this is understood in Christianity.  

Because the arc formed by the angel’s left wing is not a straight line, it is not considered an alignment.  It is considered a line with five line points.  These line points are as follows:  point D1  located at the beginning of the arc of the angel’s left wing; point D2 located at the meeting of alignments D and C; point D3 located at the frontal aspect of the face of the highest horse; point D4 located at the frontal aspect of the face of the of the second from the highest horse; point D5 located at the muzzle of the second to the lowest horse; and point D6 located at the base of the tail of the rhinoceros.

Commentary 

The intermarriage of the living entities of an advanced civilization and the primitive people of the Aurignacian culture between 40,000 B.C. and 35,001 B.C. resulted in some progeny and descendants of those who intermarried to be involved in transfer activity and become associate members of that advanced civilization.  This transfer activity, it is believed, took place between 35,000 B.C. and 30,001 B.C.  However, many other descendants of those who intermarried were not involved in transfer activity and did not become associate members of that advanced civilization.  What became of these people?  This is mere speculation, but it is possible that these descendants of extraterrestrial intermarriages became the ancestors of the people of the yet future Gravettian, Solutrean, and Magdalenian cultures.  The people of these cultures dwelt in Europe from 26,000 B.C. to 20,000 B.C., 19,000 B.C. to 16,000 B.C., and 15,000 B.C. to 9,000 B.C., respectively.

Because some of the people of these cultures, who dwelt in Europe between 26,000 B.C. and 9,000 B.C., possessed an extraterrestrial genome, they were, it is believed, more intelligent than most of their contemporaries who did not possess this genome or did so only to a small degree.  This may have allowed the former to develop a primitive material technology that enabled these people to successfully adapt to and survive the climatic conditions in Europe during the most recent ice age.  This primitive material technology, of course, would have been reproduced by others whose instinct for survival would have driven them to do this.  This ice age, the most recent glacial advance, is sometimes called the Würm ice age, and occurred between 70,000 and 10,000 years ago. 

At the end of the Würm ice age, the people of the Magdalenian culture dwelling in Europe-their bodies strong and their minds honed to sharpness by their experiences during the ice age-would be prepared to take full advantage of the ameliorating climatic conditions that appeared in the Holocene Epoch.  In the Holocene Epoch, which began about 10,000 years ago, man established villages, planted crops, and domesticated animals for his use.  These villages grew to be cities and these cities became part of complex civilizations based on material technology.  Man’s increasing complex civilizations and increasingly progressive material technology eventually produced a world-wide planetary civilization based on a mature material technology.  This occurred, it is believed, in the latter half of the twentieth century.  The major difference between this civilization and other civilizations of man's past was that the material technology of the former had arrived at a state of maturity.  From this point in his technological development, it would become possible for man to discover and employ mystical technology.  And this would permit him to progress from a planetary civilization based on material technology to an advanced civilization based on mystical technology. 

When this time arrives and mankind does develop an advanced civilization based on mystical technology, he may want to take time to reflect upon his technological ancestral roots.  In particular, he may consider the those people of the Aurignacian culture, who were the progeny and descendants of the extraterrestrial intermarriages, mentioned above, but were not involved in transfer activity.  Although these people were not involved in transfer activity between 35,000 B.C. and 30,001 B.C., they did possess an extraterrestrial genome.  In addition, they passed that genome on to their progeny, and these largely did likewise with regard to their progeny generation after generation up until the present time.  These people, apparently, were called by the Creator for another purpose other than transfer activity.  And that was to present mankind with a gift in the form of progeny that were, on average, more intelligent than their contemporaries that dwelt elsewhere on earth at that time.  And the reason for this, as stated above, was that the latter  received the gift of an extraterrestrial genome-a gift that would continue giving-even up until the present time.

Religious concepts may have been primitive during the period of time that the Aurignacian people dwelt on earth.  However, it is not impossible that the people of this culture who were not involved in transfer activity, but obeyed the will of the Creator in passing on their extraterrestrial genome to their progeny, were rewarded by the Creator for doing so. This reward, like that of those who were involved in transfer activity, may have been eternal life ( but on a selective rather than universal basis).  Because the Creator is eternal, he is concerned about matters that pertain to eternity.  Therefore, these people, like their fellow Aurignacians who were involved in transfer activity, may have received from the Creator the hope and promise of eternal life in the kingdom of God in the future age, or as the latter is referred to in Christian eschatology-the age to come (Mt. 12:31-32).

 

Credits

4   Clottes, J., Director:  Chauvet Cave, The Art of Earliest Times, ©2003 (The University of Utah Press)

5   Clottes, J., Director:  Chauvet Cave, The Art of Earliest Times, ©2003 (The University of Utah Press)

6   Clottes, J., Director:  Chauvet Cave, The Art of Earliest Times, ©2003 (The University of Utah Press)

7   Chauvet, J., Brunnel Deschamps, E, and Hillaire, C.:  The Dawn of Art:  The Chauvet Cave,©1996 (Harry N. Abrams. Inc.)

8   Chauvet, J., Brunnel Deschamps, E, and Hillaire, C.:  The Dawn of Art:  The Chauvet Cave, ©1996 (Harry N. Abrams, Inc.)

9   Chauvet, J., Brunnel Deschamps, E, and Hillaire, C.:  The Dawn of Art:  The Chauvet Cave, ©1996 (Harry N. Abrams, Inc.)



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