Post 70. The 911 2001 Terrorist Attack and Alignments A-F of the Inspired Source, "Lascaux Cave Artist" (Figure 20) (The Creation, Volume II: Chapter 7, Subhead 4)

The 911 2001 Terrorist Attack and Alignments A-F of the Inspired Source, "Lascaux Cave Artist" (Figure 20) (Post 70. CVIIC7S4)

Up to this point in Volume II of The Creation, we have studied the multiple inspired source, Lascaux Cave (Figure 1).  However, at this time we shall study another inspired source.  This inspired source is referred to in The Creation as the inspired source, “Lascaux Cave Artist” (Figures 20 and 21).⁴ The former inspired source pertained to transfer activity by the people of the Magdalenian culture between 15,000 B.C. and 14,501 B.C.  The latter inspired source, though it appears to pertain to the people of the Magdalenian culture and the Lascaux cave in the fifteenth millennium B.C., actually possesses no symbolism that pertains to this subject at all.   Rather, this symbolism pertains to an event, which took place relatively recently in the USA. 

 

                                                       Figure 20.  The inspired source, "Lascaux Cave Artist"

(Figure 20), with alignments drawn.  Painting by Jack

Unruh.  Click on the picture to enlarge.

 

 

Figure 21.  The inspired source, "Lascaux Cave Artist"

(Figure 21), with alignments not drawn for better viewing

 of the features of the inspired source.  Painting by Jack

 Unruh.  Click on the picture to enlarge.

 

The inspired source, “Lascaux Cave Artist” (Figure 20) is a painting by Jack Unruh that appears as an illustration in an article entitled, ‘Lascaux Cave’ by Jean-Phillippe Rigaud in the October 1988 issue of National Geographic.   An interesting aspect about this inspired source is that this painting could not have been painted anytime after the year, 1988, the year that the photograph of the painting appeared in the article of the issue of National Geographic, mentioned above.  However, the event depicted in the symbolism of this inspired source took place over a decade later, in 2001. Therefore, the inspired source, “Lascaux Cave Artist” (Figure 20), apparently, is an inspired source that has a predictive aspect to it. 

The inspired source, “Lascaux Cave Artist” (Figure 20), it is believed, possesses at least six alignments, each of which consists of three alignment points.  These alignments are designated alignments A, B, C, D, E, and F.  These are the alignments that will be discussed in this study of the inspired source.   Other alignments may be present in this inspired source that are not known at this time.  But before attempting to interpret the symbolism associated with the alignments of this inspired source, first, it may be helpful to attempt to describe, in general, what this symbolism appears to reveal.  After this, we shall study the symbolism of the inspired source in more detail.  This will be done in four subsequent posts (Posts 71, 72, 73, and 74)  The reason for this unusual procedure is the extraordinary nature of the symbolism of the inspired source.   

The symbolism of the inspired source, “Lascaux Cave Artist” (Figure 20), as noted above, does not pertain to the people of the Magdalenian culture.   Nor does it concern transfer activity by these people that took place in the fifteenth millennium B.C.  Rather, it concerns an event, or several events, that took place relatively recently in the year 2001 in the USA.  The events that are depicted in the symbolism of this inspired source, it is believed, are the September 11, 2001 terrorist attacks by members of the Alqueda terrorist organization that were carried out against the twin world trade center towers at New York City, N.Y. and the Pentagon at Arlington, Va.  In addition to the attacks, mentioned above, which involved three hijacked airliners, a fourth attack was thwarted when the hijacked airliner involved in this attack crashed in a field near Shanksville, Pa. before it could reach its intended target.  This event is symbolized in the inspired source, also. 

At first, it may seem incredible that this inspired source, which appeared as an illustration in an article of a magazine published in 1988 could possibly symbolize the events associated with the terrorist attack, mentioned above, which took place in 2001.  However, as we shall see, there appears to be no other reasonable way to interpret the symbolism that is present in this inspired source.

 

 

Commentary 

This post, Post 70, is one of five posts (Posts 70, 71, 72, 73, and 74) that discuss the symbolism of the inspired source, "Lascaux Cave Artist" (Figure 20).  Posts 71, 72, 73, and 74 will be discussed in subsequent posts.

 

 

Credits

 

 4  Rigaud, Jean-Phillippe:  'Lascaux Cave,' an article written for National Geographic,
  ©October 1988, Painting by Jack Unruh (National Geographic Society)
 

 

 

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