Post 72. The 911 2001 Terrorist Attack and Alignments C and D of the Inspired Source, "Lascaux Cave Artist" (Figure 20) (The Creation, Volume II: Chapter 7, Subhead 6)

The 911 2001 Terrorist Attack and Alignments C and D of the Inspired Source, “Lascaux Cave Artist” (Figure 20) (Post 72. CVIIC7S6)

Two additional alignments further confirm the interpretation of the symbolism discussed in Posts 70 and 71 of this blog that pertains to the former twin towers of the world trade center.  These alignments are designated alignments C and D.  Alignment C is associated with the airliner symbolized by alignment A, which struck the north tower (the latter being symbolized by the little finger of the right hand of the artist).  Alignment D is associated with the airliner symbolized by alignment B that struck the south tower (the latter being symbolized by the finger beside the little finger of the right hand of the artist).
 

 

 Figure 20.  The inspired source, "Lascaux Cave Artist"

(Figure 20), with alignments drawn.  Painting by Jack

Unruh.  Click on the picture to enlarge.

 

 

 

                                                      Figure 21.  The inspired source, "Lascaux Cave Artist"

(Figure 21), with alignments not drawn for better viewing

of the features of the inspired source.  Painting by Jack

Unruh.  Click on the picture to enlarge.

Alignment C begins at point C1 located at the left eye of the aurochs, proceeds to point C2 located at the base of a knife-like anomalous feature with a curved handle near the left eye of the aurochs, and terminates at point C3 located at the base of the little finger of the right hand of the artist.  The little finger, as noted previously, symbolizes the north tower.  Alignment D begins at point D1 located at the end of the thumb of the left hand of the artist, proceeds to point D2 located at the end of the thumb of the right hand of the artist, and terminates at point D3 located at the base of the finger beside the little finger of the right hand of the artist.  The finger next to the little finger, as noted previously, symbolizes the south tower.

As noted above, the knife-like feature consists of a blade and a curved handle.  The latter also represents the forehead of the aurochs that has been painted on the wall of the cave by the artist.  Alignment C proceeds from the left eye of the aurochs along the right side of the blade of the knife-like feature to the base of the little finger of the right hand of the artist.  Does the knife-like feature signify that the terrorists aboard the airliner used ceramic knives to take over the aircraft?  Ceramic knives, hidden in a secret pocket of the terrorists' clothing, would not have been detected by the metal detector portals that are intended to reveal weapons and other prohibited items of a metallic nature that a passenger's may have on his person.  Therefore, the terrorists may have passed undetected through this part of airport security with their weapons on their person.  In addition, a feature that resembles a box cutter is present in the inspired source, also.  Box cutters are believed to have been used by the terrorists to take over one or more of the hijacked airliners on September 11, 2001. The bottom of the handle and blade of the box cutter can be viewed as following alignment B from collocated points B3 and D1 located at the end of the left thumb of the artist to the right end of the tray of burning fat located near point B1.  The collocated points B3 and D1 represent the point of the blade of the box cutter.  These collocated points also are collocated with the left thumb of the artist and the associated shadow of the artist's left thumb, hand and arm on the wall of the cave.  This shadow, as we saw earlier in this chapter, symbolizes the airliner that crashed into the south tower of the world trade center.

Therefore, the feature that resembles a box cutter is symbolically associated with the airliner that crashed into the south tower.  The top of the handle of the box cutter  is formed by the dark line on the wall of the cave that begins to the right of the tray of burning fat, mentioned above.  This dark line also forms the chest, or the brisket, of the aurochs that the artist is painting.  As one can see, this line is not a straight line, like that one might expect for an actual box cutter.  Nevertheless, in a symbolic context, it still can be viewed as serving the purpose of depicting the top of the handle of a box cutter.  This line ceases in proximity to an extrapolation of alignment D.  Symbolically, the dark line and alignment D can be viewed as being joined at this place.  From this place, alignment D then intersects with alignment B at collocated points B3 and D1.  As we have seen, these two collocated points represent the point of the blade of the box cutter.  The triangular-shaped blade of the box cutter is depicted in the inspired source by the triangular area formed by the intersection of alignments A, B, and D.  It may be noted that point D3 is not located within the triangular-shaped area formed by alignments A,B, and D.  Rather, point D3 is located at the base of the finger of the right hand of the artist.  

Just as alignment C, mentioned above, intersects the base of the little finger of the right hand of the artist (this finger symbolizing the north tower), alignment D intersects the base of the finger of the right hand of the artist that is next to his little finger (this finger symbolizing the south tower).  Therefore, in this complex way, alignments C and D support alignments A and B, respectively, the latter two alignments symbolizing the two airliners that crashed into the north and south towers of the world trade center on September 11, 2001, and the former two alignments symbolizing the weapons that were used by the terrorists to carry out this act of terrorism.

 

 

Commentary 

This post, Post 72, is one of five posts (Posts 70, 71, 72, 73, and 74) that discuss the symbolism of the inspired source, "Lascaux Cave Artist" (Figure 20).  Posts 73 and 74 will be discussed in subsequent posts.

 

 

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