Post 64. The Three Steps of the Material Pathway and the Three Steps of the Mystical Pathway as Symbolized by the Great Pyramid of Giza (The Creation, Volume II: Chapter 5, Subhead 6)

The Three Steps of the Material Pathway and the Three Steps of the Mystical Pathway as Symbolized by the Great Pyramid of Giza (Post 64. CVIIC5S6)

The three steps of the material pathway and the three steps of mystical pathway have been found to be symbolized in the chambers, passages, and other features of the Great Pyramid of Giza in Egypt.  A diagram of the Great Pyramid with its chambers, passages, and other features is depicted in Figure 8,¹ as well as the letters of an alphabetical key.  The alphabetical key designated Figure 9A identifies the chambers, passages, and other features of the Great Pyramid that have some bearing on the symbolism that is present in the pyramid, and concerns the three steps of the material pathway and the three steps of the mystical pathway.  The alphabetical key designated Figure 9B identifies events that took place in the life of a person involved in transfer activity as he journeyed on the three steps of the material pathway and the three steps of the mystical pathway.  The letter listed in Figure 9B corresponds to the same letter that is listed in Figure 9A, where the latter identifies the chambers, passages, and other features of the Great Pyramid that symbolizes the event.  

In Chapter 6, a hypothetical journey of a small group of people involved in transfer activity will be described in more detail.  However, it is simply amazing that the Great Pyramid of Giza provides a summary of the important stages of the journey of a person involved in transfer activity in an enduring symbolic context, such as this.  As we shall see in Volume III of The Creation, other enduring symbolic contexts may be found in the Great Pyramid.  One of these sheds light on the two advanced civilizations of Atlantis, most notably, the advanced stellar civilization of Atlantis, revealing precisely when the living entities of this advanced civilization dwelt on earth. 

 

Figure 8.  The three steps of the material pathway

and the three steps of the mystical pathway as

symbolized by the Great Pyramid of Giza.  Click

on the picture to enlarge.
 

 

 

Figure 9A.  The symbolism of the of the Great

 Pyramid of Giza as it pertains to the three

steps of the material pathway and the three

steps of the mystical pathway.  The alphabetical

key designates the specific chamber, passage,

or feature of the Great Pyramid that symbolizes

these pathways or a part of these pathways

listed in Figure 9B.  Click on the picture to enlarge.

 

 

Figure 9B.  The symbolism of the Great Pyramid of

Giza as it pertains to the three steps of the material

pathway and the three steps of the mystical pathway.

The alphabetical key designates the pathway or the

part of a pathway that is symbolized by a specific

chamber, passage, or feature of the Great Pyramid.

Click on the picture to enlarge.

 

 

Commentary 

No comments are deemed necessary.

 

 

Credits

1  Lemesurier, Peter:  The Great Pyramid Decoded, ©1977 (Element Books)

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Post 63. Alignments E, N, and O as They Pertain to the Mystical Road and the Completion of the Three Steps of the Mystical Pathway by the People of the Magdalenian Culture Involved in Transfer Activity (The Creation, Volume II: Chapter 5, Subhead 5)

Alignments E, N, and O as They Pertain to the Mystical Road and the Completion of the Three Steps of the Mystical Pathway by the People of the Magdalenian Culture Involved in Transfer Activity (Post 63. CVIIC5S)

As we have seen, alignment E, N, and O symbolize the completion of the first, second, and third steps of the mystical pathway.  In this regard, they are similar to points K3, K4, and K5 of alignment K, which symbolize the completion of the first, second, and third steps of the material pathway.  We shall now study alignments E, N, and O to learn how this is depicted in the inspired source 1-2 (the two horses) of Figure 1. 
 

                                                                       
                                                                       Figure 1.  The three illustrations
                                                                       (inspired sources: 1-1, 1-2, and
                                                                        -3) that are collectively referred
                                                                       to as the multiple inspired source,
                                                                      "Lascaux Cave" (Figure 1).  Click
                                                                       on the picture to enlarge.  Photo-
                                                                         graph of the aurochs, ©AAAC/
                                                                           TopFoto/The Image Works.

 

 

Figure 2.  The three illustrations

(inspired sources: 2-1, 2-2, and

2-3) that are collectively referred

to as the multiple inspired source,

"Lascaux Cave" (Figure 2) with

alignments not drawn for better

viewing of the features of the

inspired source.  Click on the

 picture to enlarge.  Photograph

 of the aurochs, ©AAAC/TopFoto/

                                                                                  The Image works. 

 

 Point O1 of alignment O, point N1 of alignment N, and point E1 of alignment E are all collocated at the convergence of alignments E, N, and O in the inspired source, mentioned above.  It may be recalled that the dark horse symbolizes the material pathway and the light horse symbolizes the mystical pathway. Because this convergence is located on the right side of line P, in the area occupied by the light horse, it can be assumed that alignments O, N, and E pertain to the mystical pathway.  With regard to alignment O, after leaving point O1, alignment O proceeds to point O2 located at the most anterior part of the end of the tail of the light horse, and terminates at point O3 located at the Rotunda, where it intersects alignments G, H, I, J, and X. 

In the discussion of the three steps of the material pathway, alignment points K3, K4, and K5 of alignment K were found to symbolize the completion of the first, second, and third steps of the material pathway.  However, in the discussion concerning the three steps of the mystical pathway, three different alignments are used to symbolize the completion of the three steps of the mystical pathway.  As we have seen, point O3 of alignment O, it is believed, symbolizes the completion of the third step of the mystical pathway by a person involved in transfer activity at the large grottobase of a transfer activity grottobase complex.  This grottobase is symbolized by the Rotunda.  With regard to alignment N, after leaving point N1 located at the convergence, mentioned above, alignment N proceeds to point N2 located at the most posterior part of the end of the tail of the light horse, and terminates at point N3 located at the shaft, where it intersects alignments D, F, Y, and Z.  With regard to alignment E, after leaving point E1 located at the convergence, mentioned above, alignment E proceeds to point E2 located at the end of the tail of the light horse, continues to point E3 located at the lower back of the light horse, where the tail originates, continues to point E4 located at the south wall of the Axial Gallery, where it intersects alignments F and Y, and terminates at point E5 located at the north wall of the Axial Gallery, where it intersects alignments D and Z.

And so, with regard to the material pathway alignment points K3, K4, and K5 of alignment K are believed to symbolize the completion of the first, second, and third steps of the material pathway.  However, with regard to the mystical pathway, three different alignments are believed to be used.  These are:  alignment E symbolizing completion of the first step of the mystical pathway; alignment N symbolizing the completion of the second step of the mystical  pathway; and alignment O symbolizing the completion of the third step of the mystical pathway.  In this context, point O3 of alignment O, it is believed, symbolizes the completion of the third step of the mystical pathway by a person involved in transfer activity at the large grottobase of a transfer activity grottobase complex.  This grottobase is symbolized by the Rotunda in the inspired source.  Point N3 of alignment N, it is believed, symbolizes the completion of the second step of the mystical pathway by a person involved in transfer activity at the intermediate grottobase of a transfer activity grottobase complex.  This grottobase is symbolized by the Shaft in the inspired source.  Points E4 and E5 of alignment E, it is believed, symbolizes the completion of the first step of the mystical pathway by a person involved in transfer activity at the small grottobase of a transfer activity grottobase complex.  This grottobase is symbolized by the Axial Gallery.  In this regard, point E4 is collocated with points F4 and Y3 at the south wall of the Axial Gallery, and symbolizes the completion of the first step of the mystical pathway for the group of people symbolized by alignment F, while point E5 is collocated with point D5 and Z3 at the north wall of the Axial Gallery, and symbolizes the completion of the first step of the mystical pathway for the group of people symbolized by alignment D,     

With regard to the material and mystical roads of the material and mystical pathways, it may be recalled that the material road of the material pathway is signified by the part of the tail of the dark horse located between points K1 and K2 of alignment K.  Similarly, the mystical road of the mystical pathway is signified by the part of the tail of the light horse located between points E2 and E3 of alignment E.  Because the mystical road is associated with the first step of the mystical pathway, and not the second or third steps of that pathway, it would seem logical to assume that the mystical road would be symbolized most clearly by the alignment that is associaated the first step of that pathway, that is, alignment E.  And this is what we find when the part of the tail of the light horse between points E2 and E3 of alignment E is considered.  Here, point E2 is located at the very end of the tail of the light horse, and signifies the beginning of the mystical road; while point E3 is located at the beginning of the tail of the light horse, where the tail originates at the lower back of the horse,and signifies the end of the mystical road.


Commentary 

No comments are deemed necessary.


Credits

Figures 1 and 2:  The credit references for Figures 1 and 2 are found in the Credits of Post
41 (CVIIC1S2)




Fair Use Notice: This post may contain copyrighted material the use of which has not been specifically authorized by the copyright owner.  
This blog distributes this material by means of this blog without profit to those who have expressed an interest in receiving it for research and educational purposes.  We believe this constitutes a fair use for any such copyrighted material as provided for in 17 U.S.C § 107.

Post 62. Alignments X, Y, and Z as They Pertain to the Third Step of the Mystical Pathway and the Completion of That Step by People of the Magdalenian Culture Involved in Transfer Activity (The Creation, Volume II: Chapter 5, Subhead 4)

Alignments X, Y, and Z as They Pertain to the Third Step of the Mystical Pathway and the Completion of That Step by People of the Magdalenian Culture Involved in Transfer Activity (Post 62. CVIIC5S4)

 Although we have discussed the journey of the two groups of people of the Magdalenian culture involved in transfer activity as this applies to the first and second step of the mystical pathway, we cannot continue to use alignments D and F with regard to the third step because these two alignments cannot be extrapolated from the Shaft to any other point without encountering the border of the inspired source 1-1 (the map of the Lascaux cave) of Figure 1. In addition, if one assumes that the Rotunda may be the location within the cave that symbolizes the completion of the third step of the mystical pathway, there does not appear to be any way of using alignments D and F at this location because these two alignments are not found in the Rotunda.  This is where alignments X, Y, and Z may be useful.  The symbolism of these three alignments not only pertains to the three locations within the Lascaux cave that symbolize the small, intermediate, and large grottobase of a transfer activity grottobase complex, it also pertains to the place of the beginning of the journey of a person of the Magdalenian culture involved in transfer activity, that is, the Chamber of the Felines.
 

Figure 1.  The three illustrations

(inspired sources: 11-1, 1-2, and

1-3) that are collectively referred

to as the multiple inspired source,

"Lascaux Cave" (Figure 1).  Click

on the picture to enlarge.  Photo-

graph of the aurochs, ©AAAC/

TopFoto/The Image Works.

 

Figure 2.  The three illustrations

(inspired sources: 2-1, 2-2, and

2-3) that are collectively referred

to as the multiple inspired source,

"Lascaux Cave" (Figure 2) with

alignments not drawn for better

viewing of the features of the

inspired source.  Click on the

picture to enlarge.  Photo-

graph of the aurochs, ©AAAC/ 

TopFoto/The Image Works.

Alignment X is comprised of four points:   points X1, X2, X3, and X4.  These four points run exactly  parallel to the long dimension of the map in the inspired source 1-1 (the map of the Lascaux cave) of Figure 1.  Alignment X begins at point X1 located at the intersection of alignments X, C, and K at the Chamber of the Felines, proceeds to point X2 located at the intersection of alignments X and Y (the latter being the same length between points Y1 and Y3 as is alignment F between points F4 and F5).  Here, also, point X2 is collocated with point Y2.  Alignment X then continues to point X3 located at the intersection of alignments X and Z (the latter being the same length between points Z1 and Z3 as is alignment D between points D5 and D6).  Here, also, point Z2 is collocated with point X3.  Then alignment X terminates at point X4, located at the Rotunda, where alignment X intersects with alignments G, H, I, J, and O.

Alignment Y begins at point Y1 located at the intersection of alignments D, F, Y, and Z at the Shaft, proceeds to point Y2 located at the intersection of alignments Y and X.  Here, also, point Y2 is collocated with point X2.  Alignment Y then terminates at point Y3 located at the intersection of alignments E, F, and Y at the Axial Gallery.  Alignment Y is identical to alignment F from the Shaft to the Axial Gallery, but proceeds no further.  However, alignment F does proceed further (to points F3, F2, and F1).  Because of this, alignment Y cannot be considered to be completely identical to alignment F.  It must be considered a separate alignment, that is, alignment Y.  However, because alignment Y is identical to the part of alignment F located between the Axial Gallery and the Shaft, one could view alignment Y as a substitute for alignment F in a limited way.  This is analogous, it is believed, to the clone substituting for the clone’s parent at the completion of the second step of the mystical pathway by the latter. 

Alignment Z begins at point Z1 located at the intersection of alignments D, F, Y, and Z at the Shaft, proceeds to point Z2 located at the intersection of alignments X and Z.  Here, also, point X3 is collocated with point Y2.  Alignment Z then terminates at point Z3 located at the intersection of alignments D, E, and Z at the Axial Gallery.  Alignment Z is identical to alignment D from the Shaft to the Axial Gallery, but proceeds no further.  However, alignment D does proceed further (to points D4, D3, D2, and D1).  Because of this, alignment Z cannot be considered to be completely identical to alignment D.  It must be considered a separate alignment, that is, alignment Z.  However, because alignment Z is identical to the part of alignment D located between the Axial Gallery and the Shaft, one could view alignment Z as a substitute for alignment D in a limited way.  This is analogous, it is believed, to the clone substituting for the clone’s parent at the completion of the second step of the mystical pathway by the latter.

As stated previously, alignment X runs exactly parallel to the long dimension (length) of the map in the inspired source 1-1 (the map of the Lascaux cave) of Figure 1 from the Chamber of the Felines to the place in the Rotunda, where multiple intersections of alignments occur.  Alignment X, in this regard, is believed to symbolize the Holy Spirit guiding the Magdalenian people involved in transfer activity along the three steps of the Mystical pathway from the Chamber of the Felines at the Lascaux cave to the large grottobase of a transfer activity grottobase complex, symbolized by the Rotunda. 

In this context, as we have seen, alignment Y appears to symbolize the group of people associated with alignment F during the third step of the mystical pathway of their journey.  Similarly, alignment Z appears to symbolize the group of people associated with alignment D during the third step of the mystical pathway of their journey.  In way of confirmation, it may be noted that alignment Y, which is the substitute for alignment F, runs exactly parallel to the short distance (width) of the map of the Lascaux cave in the inspired source, mentioned above; and, also, exactly perpendicular to alignment X.  However, alignment Z, which is the substitute for alignment D, runs almost parallel to the short dimension (width) of the map of the Lascaux cave in the inspired source, mentioned above; and, also, almost perpendicular to alignment X. 

The meaning suggested by the symbolism above is that the Magdalenian people involved in transfer activity symbolized by alignment Y (and associated with alignment F) are more perfectly aligned with the Creator, in the person of the Holy Spirit (symbolized by alignment X), than the Magdalenian people involved in transfer activity symbolized by alignment Z (and associated with alignment D).This is signified by an alignment line (alignment Y) that is exactly perpendicular to alignment X (symbolizing the Holy Spirit) compared to an alignment line (alignment Z) that is almost perpendicular to alignment X (symbolizing the Holy Spirit).

By using alignment Y in place of alignment F, it is possible to, symbolically, follow a transfer route, which begins at point Y1 of alignment Y located at the Shaft, and proceeds to a place, where alignments X and Y intersect, and where points X2 and Y2 are collocated.  At this point, the transfer route begins to follow alignment X to point X4 located at the place in the Rotunda, where alignments G, H, I, J, O and X intersect and points G5, H4, I3, J4, O3, and X4 are collocated.  This transfer route from the Shaft to the Rotunda would pertain to the group of people symbolized by alignment F, and would represent the completion of the third step of the mystical pathway of these people.  These people, having completed their transfer activity, presumably, would be received in friendship by the living entities dwelling at this grottobase, and become associate members of the same advanced interstellar civilization of which the living entities were members.

Similarly, by using alignment Z in place of alignment D, it is possible to, symbolically, follow a transfer route, which begins at point Z1 of alignment Z located at the Shaft, and proceeds to a place, where alignments X and Z intersect, and where points X3 and Z2 are collocated.   At this point, the transfer route begins to follow alignment X to point X4 located at the place in the Rotunda , where alignments G, H, I, J, O, and X intersect and points G5, H4, I3, J4, O3, and X4 are collocated.  This transfer route from the Shaft to the Rotunda would pertain to the group of people symbolized by alignment D, and would represent the completion of the third step of the mystical pathway of these people.  These people, having completed their transfer activity, presumably, would be received in friendship by the living entities dwelling at this grottobase, and become associate members of the same advanced interstellar civilization of which the living entities were members.

Finally, it may be noted that alignments X, Y, and Z are arranged in the shape of a cross (if one overlooks the presence of two crossbeams symbolized by alignments Y and Z. In this context, the remaining beam is symbolized by alignment X.  In addition, the four points of this cross (excluding the possible fifth point, mentioned above) are located at the four parts of the of the Lascaux cave that possess symbolic significance with regard to transfer activity:  the Chamber of the Felines, the Axial Gallery, the Shaft, and the Rotunda.  This cross, it is believed, symbolizes the cross upon which Jesus Christ died for the sins of mankind, and is believed to indicate that Jesus Christ was intimately involved in the transfer activity of the two groups of people symbolized by alignments D and F.  In this context, alignment X symbolizes the Holy Spirit that guided the people of the two groups, mentioned above, to the completion of their transfer activity.   If this is correct, then it would not be unreasonable to assume that Jesus Christ provided the leadership for this activity, and not only for the people of the Magdalenian culture in the fifteenth millennium B.C., but also for the people of other cultures and civilizations involved in transfer activity subsequent to that time. 

Therefore, the crossbeams referred to above would appear to symbolize the two groups of people symbolized by alignments D and F, who were involved in transfer activity in the fifteenth millennium B.C.  The intersection of the symbolic crossbeam associated with the group of people symbolized by alignment F, as we saw previously, is exactly perpendicular to the symbolic upright beam associated with alignment X, while the symbolic crossbeam associated with the group of people symbolized by alignment D, as we saw previously, is almost perpendicular to the symbolic upright beam associated with alignment X.  This suggests that, in the eyes of the Creator, the spiritual gifts possessed by the group of people involved in transfer activity symbolized by alignment F are more pleasing and closer to his heart than the technological gifts possessed by the group of people involved in transfer activity symbolized by alignment D.

 

 

Commentary 

No comments are deemed necessary.

 

 

Credits

 

 Figures 1 and 2:  The credit references for Figures 1 and 2 are found in the Credits of Post
41 (CVIIC!S2) 

 

 

Fair Use Notice: This post may contain copyrighted material the use of which has not been specifically authorized by the copyright owner.  
This blog distributes this material by means of this blog without profit to those who have expressed an interest in receiving it for research and educational purposes.  We believe this constitutes a fair use for any such copyrighted material as provided for in 17 U.S.C § 107.

 

Post 61. The Group of People Involved in Transfer Activity Symbolized by Alighnment F as the Latter Pertains to Alignment Points F4 and F5 and the Two Grottobases Associated with the Completion of the First and Second Steps of the Mystical Pathway by These People (The Creation, Volume II: Chapter 5, Subhead 3)

The Group of People Involved in Transfer Activity Symbolized by Alignment F as the Latter Pertains to Alignment Points F4 and F5 and the Two Grottobases Associated with the Completion of the First and Second Steps of the Mystical Pathway by These People (Post 61. CVIIC5S3)

In the previous post, Post 60, we discussed the group of people of the Magdalenian culture symbolized by alignment F in the multiple inspired source, "Lascaux Cave" (Figure 1) and points F1, F2, and F3 of alignment F.  In this post, we will discuss the same group of people with regards to points F4 and F5 of alignment F.

After leaving point F3, alignment F continues to point F4 in the inspired source 1-1 (the map of the Lascaux cave) of Figure 1.  In the inspired source, point F4 is located at a part of the Lascaux cave, called the Axial Gallery. As we have seen, the Axial Gallery symbolizes an unoccupied, small grottobase, where a person involved in transfer activity, upon entering, completed the first step of the mystical pathway of his journey.  At point F4 of alignment F, alignment F intersects with alignment E and Y.  Here, also, point F4 is collocated with points E4 and Y3.  The intersection of alignment F and E and the presence of point E4 collocated with point F4 at the Axial Gallery would appear to indicate that the Axial Gallery marks the completion of the first step of the mystical pathway and symbolizes the small grottobase of a transfer activity grottobase complex.  Here, people of the group symbolized by alignment F, who were involved in transfer activity, entered the grottobase and completed the first step of the mystical pathway of their journey. 
  

Figure 1.  The three illustrations

(inspired sources: 1-1, 1-2, and

1-3) that are collectively referred

to as the multiple inspired source,

"Lascaux Cave" (Figure 1).  Click

on the picture to enlarge.  Photo-

graph of the aurochs, ©AAAC/

TopFoto/The Image Works.

 

Figure 2.  The three illustrations

(inspired sources; 2-1, 2-2, and

2-3) that are collectively referred

to as the multiple inspired source,

"Lascaux Cave" (Figure 2) with

alignments not drawn for better

viewing of the features of the

inspired source.  Click on the

picture to enlarge. Photo-

graph of the aurochs, ©AAAC/

TopFoto/The Image Works.

The presence of point E5 collocated with point D5 of alignment D at another part of the Axial Gallery (in addition to that, where point E4 is collocated with point F4 of alignment F) at first, may seem to mean an error has been made and that two small grottobases are symbolized, here.   However, it should be noted that both points E4 and E5 are located within the boundary of the Axial Gallery and can be viewed as marking the completion of two second steps on the mystical pathway.  Therefore, point E4 is believed to mark the completion of the first step of the mystical pathway of the group of people symbolized by alignment F, while point E5 is believed to mark the completion of the first step of the mystical pathway of the group of people symbolized by alignment D.  Point E4 is collocated with points F4 and Y3 at the south wall of the Axial Gallery, while point E5 is collocated with points D5 and Z3 at the north wall of the Axial Gallery.  Although it is possible that two small grottobases are depicted here, one for the group of people symbolized by alignment F and another for the group of people symbolized by alignment D, in The Creation, it is assumed that only one small grottobase is meant by this symbolism.   As for points Y3 and Z3 of alignments Y and Z that are also collocated with point F4 of alignment F at the Axial Gallery, these alignments and alignment points will be addressed later in this chapter. 

Therefore, point F4 of alignment F appears to signify the arrival at, and the entering into of a small grottobase of people involved in transfer activity symbolized by alignment F.  On the map of the Lascaux cave in the inspired source 1-1 (the map of the Lascaux cave) of Figure 1, point D5 of alignment D is located at the axial Gallery, but not at the same location as point F4 of alignment F.  Point D5 of alignment D is believed to signify the arrival at, and the entering into of this small grottobase of people involved in transfer activity symbolized by alignment D.

 After leaving point F4, alignment F continues to point F5 located in the inspired source 1-1 (the map of the Lascaux cave) of Figure 1 at a part of the Lascaux cave, called the Shaft.  The Shaft, as noted previously, is believed to symbolize an occupied, intermediate grottobase, where a person involved in transfer activity, upon entering, completed the second step of the mystical pathway of his journey.  Here, also, alignment F intersects with alignments D, N, Y, and Z.  Here, also, point F5 is collocated with points D6, N3, Y1, and Z1.  The intersection of alignments F and D, where points F5 and D6 are collocated was discussed previously in Chapter 4, and is believed to symbolize that a special relationship existed between the two groups of people involved in transfer activity symbolized by alignments F and D.  That relationship, as we have seen, is that the people of the two groups both were people of the Magdalenian culture involved in transfer activity, and both arrived at the intermediate grottobase, entered into the latter, and completed the second step of the mystical pathway of their journey. 

The intersection of alignment F and N, where also points F5 and N3 are collocated at the Shaft, it is believed, symbolizes the completion of the second step of the mystical pathway by the people of the Magdalenian culture involved in transfer activity symbolized by alignment F.  As for points Y1 and Z1 of alignments Y and Z, these are also collocated with point F5 of alignment F at the Shaft.  These alignments and alignment points will be addressed later in this chapter.

One difficulty in discussing the third step of the mystical pathway, based on the symbolism present in the multiple inspired source, “Lascaux Cave” (Figure 1), is that the alignments of the two groups of people involved in transfer activity symbolized by alignments D and F, are not capable of being extrapolated any further than the Shaft in the inspired source.  The border of the inspired source 1-1 (the map of the Lascaux cave) of Figure 1 will not allow this.  However, in the above inspired source, it may be noted that many alignments intersect at the Rotunda.  This place of multiple alignment intersections at the Rotunda may symbolize the third step of the mystical pathway.  However, as one can see, alignments D and F do not intersect with any of these alignments at the Rotunda.  Moreover, these two alignments are not even found at the Rotunda.  As we shall see, another set of alignments is used that represent alignments F and D and the two groups of people involved in transfer activity associated with these alignments.  This set of alignments enables alignments D and F to intersect, vicariously, at the place called the Rotunda, where multiple intersections of alignments occurs. This is done by means of the substitution of alignments X, Y, and Z for alignments D and F.  When this is done, the two groups of people involved in transfer activity, symbolically, can travel on the third step of the mystical pathway of their journey from the Shaft to the Rotunda by means of alignments X, Y, and Z.

What could be the reason for this unusual symbolism, mentioned above, concerning the third step of the mystical pathway?  Perhaps, a radical change in transfer activity takes place at the intermediate grottobase symbolized by the Shaft, when the Magdalenian explorers symbolized by alignments D and F arrive at that grottobase and enter into it.  This radical change in transfer activity, it is believed, is the spiritual cloning that is carried out at that grottobase, when people of the two groups of people symbolized by alignments D and F enter that grottobase and complete the second step of the mystical pathway of their journey.  It is the person’s clone, rather than the person, himself, who, after receiving the latter’s soul-spirit, will leave the intermediate grottobase and complete the third step of the mystical pathway for the person.  This, it is believed, is the radical change in transfer activity, mentioned above, that accounts for the unusual symbolism concerning the third step of the mystical pathway and the completion of that step by the people of the Magdalenian culture symbolized by alignments D and F. This unusual symbolism and the procedures associated mark the end of alignments D and F.  In their place, alignments X, Y, and Z are used to complete the third step of the mystical pathway of a person of the Magdalenian culture involved in transfer activity.

 

 

Commentary 

No comments are deemed necessary.

 

 

Credits

 

 Figures 1 and 2:  The credit references for Figures 1and 2 are found in the Credits of Post 41 (CVIIC1S2)

 

 

 

 

Fair Use Notice: This post may contain copyrighted material the use of which has not been specifically authorized by the copyright owner.  
This blog distributes this material by means of this blog without profit to those who have expressed an interest in receiving it for research and educational purposes.  We believe this constitutes a fair use for any such copyrighted material as provided for in 17 U.S.C § 107.

Post 60. The Group of People Involved in Transfer Activity Symbolized by Alignment F as the Latter Pertains to Alignment Points F1, F2, and F3 and the Anomalous Feature That Resembles the Head of a Person (The Creation, Volume II: Chapter 5, Subhead 2)

The Group of People Involved in Transfer Activity Symbolized by Alignment F as the Latter Pertains to Alignment Points F1, F2, and F3, and the Anomalous Feature That Resembles the Head of a Person (Post 60. CVIIC5S2)

Alignment F begins at point F1 located at the anomalous feature that resembles the head of a person in the inspired source 1-3 (the aurochs) of Figure 1.  However, Figure 1 must be inverted before this can be seen (Figure 6).  When this is done, it may be noted that point F1 is located at a point high on the forehead of this person.  In this regard, one could say that point F1 is located at the highest point of the forehead of this person.  This location is believed to have symbolic significance and it symbolizes the high moral and spiritual character of these people.  This character, it is believed, produced in these people a mentality that sought to know the Creator and his ways.  Because of their rapport with the Creator, they may have been able to understand the spiritual origin and underlying causes of problems, and to quickly arrive at solutions that were in agreement with the will of the Creator. These solutions may have been acceptable to the Creator because they originated with him, and may have been effective among mankind because he supported the solutions of those who had a good rapport with the Creator.
   

 

Figure 6.  The anomalous feature (high-

                                                         lighted) associated with the aurochs in
                                                        the inspired source 1-3 (the aurochs) of

Figure 1 that resembles the head of a

person when inverted.  Click on the

picture to enlarge.  Photograph of the

aurochs, ©AAAC/TopFoto/The Image

Works

 

Figure 1. The three illustrations

(inspired sources:1-1, 1-2, and

1-3) that are collectively referred

to as the multiple inspired source,

"Lascaux Cave" (Figure 1).  Click

on the picture to enlarge.  Photo-

graph of the aurochs, ©AAAC/

TopFoto/The Image Works

 

Figure 2.  The three illustrations

(inspired sources: 2-1, 2-2, and

2-3) that are collectively referred

to as the multiple inspired source,

"Lascaux Cave" (Figure 2) with

alignments not drawn for better

viewing of the features of the

inspired source.  Click on the

picture to enlarge.  Photo-

graph of the aurochs, ©AAAC/

TopFoto/The Image Works.

It may be noted that point H1, the initial point of alignment H, is collocated with point F1, the initial point of alignment F, at the place high on the forehead of the person, mentioned above.  As we saw in Chapter 4, common initial and termination points of alignments in the multiple inspired source, “Lascaux Cave” (Figure 1) is believed to signify that a special relationship exists between the two alignments and the things that they symbolize.  In this case, a special relationship is believed to have existed between the people of the Magdalenian culture involved in transfer activity symbolized by alignment F and the living entities of the advanced interstellar civilization symbolized by alignment H. This civilization, as we have seen, is one of the four advanced interstellar civilizations that serve the Creator and dwells in the Milky Way Galaxy.  In Chapter 4, we saw that the most important aspect of the special relationship between the group of people symbolized by alignment D and the living entities of the advanced interstellar civilization symbolized by alignment I may have been a compatibility based on a similar technological inclination on the part of both. Likewise, the most important aspect of the special relationship between the group of people symbolized by alignment F and the living entities of the advanced interstellar civilization symbolized by alignment H may have been a compatibility based on a similar spiritual inclination on the part of both.  By this, it is meant that both had a high moral and spiritual character, and both had a desire to know the Creator and his ways. 

 In addition, this relationship, like that involving the group of people symbolized by alignment D and the living entities of the advanced interstellar civilization symbolized by alignment I, may have involved the receiving of the group of people symbolized by alignment F by the living entities of the advanced interstellar civilization symbolized by alignment H.  In this way, these people would eventually meet and learn from these living entities.  However, it is assumed that this did not take place until the people of the group symbolized by alignment F were received by the living entities of the advanced interstellar civilization symbolized by alignment G, and made associate members of that civilization.  This civilization, as we have seen, is one of the four advanced interstellar civilizations that serve the Creator and dwell in the Milky Way Galaxy, also. 

After leaving point F1, alignment F proceeds to point F2 located at the left eye of the aurochs in the inspired source 1-3 (the aurochs) of Figure 1.  It may be noted that point G2 of alignment G is located at the left eye of the aurochs, also.  However, point G2 is located at the right aspect of the left eye of the aurochs, while point F2 is located at the left aspect of the left eye of the aurochs.  Because the aurochs is believed to symbolize Jesus Christ, point F2 and point G2 are believed to be symbolically significant.  However, we will not discuss this symbolism at this time. Rather, it will be discussed in Chapter 7 as part of the conclusion of the study of the material and mystical pathways of the people of the Magdalenian culture involved in transfer activity.

After leaving point F2, alignment F continues to point F3 located at the intersection of alignments F and G.  Here, point F3 is collocated with point G3.  Although point F3 is located at a precise place in the inspired source 1-2 (the two horses) of Figure 1, at the border of the latter, the symbolic significance of this is not known.  Nevertheless, the intersection of the two alignments here, obviously, signifies that a relationship exists between the group of people involved in transfer activity symbolized by alignment F and the living entities of the advanced interstellar civilization symbolized by alignment G dwelling at a grottobase in the interior of the earth.  Most likely, this relationship is simply that the latter received the people of the group symbolized by alignment F in friendship at the time of the completion of the transfer activity of the latter, and made them associate members of their civilization. 


Commentary 

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Credits 

Figures 1 and 2:  The credit references for Figures 1 and 2 are found in the Credits of Post 41 (CVIIC1S2)

 

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