The Group of People Involved in Transfer Activity Symbolized by Alignment D as the Latter Pertains to Alignment Points D5 and D6 and the Two Grottobases Associated with the Completion of the First and Second Steps of the Mystical Pathway (Post 58. CVIIC4S5)
This post will conclude the study of alignment D that was initiated in Post 55 concerning the people of the Magdalenian culture involved in transfer activity, and who are symbolized by this alignment. After
leaving point D4, alignment D continues to point D5 located at a part of the
Lascaux cave referred to as the Axial Gallery in the inspired source 1-1 (the
map of the Lascaux cave) of Figure 1.
Here, point D5 is located at the intersection of alignments D, E and
Z. Here, also, point D5 is collocated
with points E5 and Z3. As we saw in
Chapter 3, the part of the tail of the light horse between points E2 and E3 of alignment
E symbolizes the mystical road of the mystical pathway. However, alignment E also symbolizes the
completion of the first step of the mystical pathway by a person of the
Magdalenian culture involved in transfer activity. Therefore, the collocation of point E5 with point
D5 and Z3 at the Axial Gallery, it is believed, symbolizes the completion of
the first step of the mystical pathway by a person of the Magdalenian culture
involved in transfer activity, and who is symbolized by alignment D.
Figure 1. The three illustrations
(inspired sources: 1-1, 1-2, and
1-3) that are collectively referred
to as the multiple inspired source,
"Lascaux Cave" (Figure 1). Click
on the picture to enlarge. Photo-
graph of the aurochs, ©AAAC/
TopFoto/The Image Works.
Figure 2. The three illustrations
(Inspired Sources: 2-1, 2-2, and
2-3) that are collectively referred
to as the multiple inspired source,
"Lascaux Cave" (Figure 2), with
alignments not drawn for better
viewing of the features of the
inspired source. Click on the
picture to enlarge. Photo-
graph of the aurochs, ©AAAC/
TopFoto/The Image Works.
As we shall see, the completion of each step of the mystical pathway by a person involved in transfer activity was marked by the entry of the person into a grottobase. The Axial Gallery, in this regard, symbolizes a small unoccupied grottobase, the entry of which by a person involved in transfer activity, ended the first step of the mystical pathway of the person’s journey. In The Creation, this small grottobase is referred to as the small grottobase of a transfer activity grottobase complex. As we saw in Chapter 3, the use of the instruments of mystical particle transfer by a person of the Magdalenian culture was necessary during the earlier part of this step as the person traveled from the Chamber of the Felines within the Lascaux cave to an excavated tunnel within the interior of the earth. This is symbolized by the part of the tail of the light horse between points E2 and E3 of alignment E. However alignment E also intersects alignment D at the Axial Gallery, where points D5 and E5 of alignments D and E are collocated. This signifies that the first step of the mystical pathway is completed, and is similar to point K3 of alignment K that signified, it may be recalled, that the first step of the material pathway had been completed. As for point Z3 of alignment Z that is also collocated with point D5 of alignment D at the Axial Gallery, this alignment and alignment point will be addressed in Chapter 5.
After leaving point D5, alignment D continues to point D6 located at a part of the Lascaux cave called the Shaft, and the latter is so designated in the inspired source 1-1 (the map of the Lascaux cave) of Figure 1. The Shaft symbolizes an intermediate grottobase located at a greater depth within the interior of the earth than the small grottobase, mentioned above. The entry of a person of the Magdalenian culture involved in transfer activity, and who is symbolized by alignment D, into the intermediate grottobase of a transfer activity grottobase complex marked the completion of the second step of his journey on the mystical pathway. Here, at the Shaft, point D6 is collocated with points F5, N3, Y1, and Z1 of alignments F, N, Y, and Z. In the discussion concerning the Axial Chamber, it was point E5 of alignment E that symbolized the completion of the first step of the mystical pathway. However, it is point N3 of alignment N that symbolizes the completion of the second step of the mystical pathway. It may be noted that alignment N is related to alignment E in that they both have a common point of origin.
This point of origin is located on the imaginary ground surface on which the two horses are depicted running, and is located near line point P3. Here, point N1 of alignment N is collocated with point E1 of alignment E. Alignment N, like alignment E, proceeds along the tail of the light horse, but does so peripherally, and not through the center of the tail, as does alignment E. Whereas alignment E signified the completion of the first step of the mystical pathway at the Axial Gallery, alignment N signifies the completion of the second step of the mystical pathway at the Shaft. As we shall see in Chapter 5, alignment O is similar to alignment N and E, in that it, too, symbolizes the completion of a step of the mystical pathway. In this case, this step is the third step, and is symbolized by point O3 of alignment O located at the Rotunda. Alignment O also originates at the same place, mentioned above, where alignments E and N originate. The alignment point of alignment O located at this point of intersection and origin in this case, is point O1.
The intersection of alignment D and F, where points D6 and F5 are collocated, it is believed, symbolize that a relationship existed between the two groups of people symbolized by these two alignments. That relationship, of course, is that the people of the two groups symbolized by alignments D and F both were people of the Magdalenian culture involved in transfer activity. Both would complete the second step of their journey on the mystical pathway by entering the intermediate grottobase symbolized by the Shaft. As for point Y1 and Z1 of alignments Y and Z that are collocated with point D6 of alignment D at the Shaft, these alignments and alignment points will be addressed in Chapter 5.
There is one more step of the mystical pathway that remains to be discussed concerning the people of the Magdalenian culture, symbolized by alignment D, who were involved in transfer activity. However, this will be done in Chapter 5. In Chapter 5, we also will discuss the people of the Magdalenian culture, symbolized by alignment F, who were involved in transfer activity. Then, the completion of the third step of the mystical pathway will be addressed. This, it may be recalled, is marked by the entry of a person of the Magdalenian culture involved in transfer activity into the large grottobase of a transfer activity grottobase complex. This discussion will include both the people of that culture symbolized by alignment D and those symbolized by alignment F.
In Chapter 6, a hypothetical journey will be embarked upon that attempts to describe a journey of a person of the Magdalenian culture involved in transfer activity on the mystical pathway. Then in Chapter 7, the advanced interstellar civilizations that serve the Creator will be discussed. These are symbolized in the multiple inspired source, “Lascaux Cave” (Figure 1) by alignments G, H, I, and J. Following this, we will discuss the role of Jesus Christ in guiding the transfer activity of man, and what may be the higher purpose of that activity. This will conclude the study of transfer activity and the material and mystical pathways associated with that activity. Finally, in the inspired source, “Lascaux Cave Artist” (Figure 20), the predictive aspect of inspired sources will be discussed.
Commentary
No comments are deemed necessary.
Credits
Figures 1 and 2: The credit references for Figures 1 and 2 are found in the Credits of Post 41 (CVIIC1S2).
Fair Use Notice: This post may contain copyrighted material the use of which has not been specifically authorized by the copyright owner.
This blog distributes this material by means of this blog without profit to those who have expressed an interest in receiving it for research and educational purposes. We believe this constitutes a fair use for any such copyrighted material as provided for in 17 U.S.C § 107.
No comments:
Post a Comment