The Group of People Involved in
Transfer Activity Symbolized by Alignment F as the Latter Pertains to Alignment
Points F4 and F5 and the Two Grottobases Associated with the Completion of the
First and Second Steps of the Mystical Pathway by These People (Post 61. CVIIC5S3)
In the previous post, Post 60, we discussed the group of people of the Magdalenian culture symbolized by alignment F in the multiple inspired source, "Lascaux Cave" (Figure 1) and points F1, F2, and F3 of alignment F. In this post, we will discuss the same group of people with regards to points F4 and F5 of alignment F.
In the previous post, Post 60, we discussed the group of people of the Magdalenian culture symbolized by alignment F in the multiple inspired source, "Lascaux Cave" (Figure 1) and points F1, F2, and F3 of alignment F. In this post, we will discuss the same group of people with regards to points F4 and F5 of alignment F.
After
leaving point F3, alignment F continues to point F4 in the inspired source 1-1
(the map of the Lascaux cave) of Figure 1.
In the inspired source, point F4 is located at a part of the Lascaux cave, called the Axial Gallery. As we
have seen, the Axial Gallery symbolizes an unoccupied, small grottobase, where a
person involved in transfer activity, upon entering, completed the first step
of the mystical pathway of his journey. At point F4 of alignment F, alignment F
intersects with alignment E and Y. Here,
also, point F4 is collocated with points E4 and Y3. The intersection of alignment F and E and the
presence of point E4 collocated with point F4 at the Axial Gallery would appear
to indicate that the Axial Gallery marks the completion of the first step of
the mystical pathway and symbolizes the small grottobase of a transfer activity
grottobase complex. Here, people of the group symbolized by alignment F, who were involved in transfer activity, entered
the grottobase and completed the first step of the mystical pathway of their
journey.
Figure 1. The three illustrations
(inspired sources: 1-1, 1-2, and
1-3) that are collectively referred
to as the multiple inspired source,
"Lascaux Cave" (Figure 1). Click
on the picture to enlarge. Photo-
graph of the aurochs, ©AAAC/
TopFoto/The Image Works.
Figure 2. The three illustrations
(inspired sources; 2-1, 2-2, and
2-3) that are collectively referred
to as the multiple inspired source,
"Lascaux Cave" (Figure 2) with
alignments not drawn for better
viewing of the features of the
inspired source. Click on the
picture to enlarge. Photo-
graph of the aurochs, ©AAAC/
TopFoto/The Image Works.
The
presence of point E5 collocated with point D5 of alignment D at another part of
the Axial Gallery (in addition to that, where point E4 is collocated with point F4 of
alignment F) at first, may seem to mean an error has been made and that two
small grottobases are symbolized, here. However, it should be noted that both points
E4 and E5 are located within the boundary of the Axial Gallery and can be viewed as marking the
completion of two second steps on the mystical pathway. Therefore, point E4 is believed to mark
the completion of the first step of the mystical pathway of the group of people
symbolized by alignment F, while point E5 is believed to mark the completion of
the first step of the mystical pathway of the group of people symbolized by
alignment D. Point E4 is collocated with
points F4 and Y3 at the south wall of the Axial Gallery, while point E5 is
collocated with points D5 and Z3 at the north wall of the Axial Gallery. Although it is possible that two small
grottobases are depicted here, one for the group of people symbolized by
alignment F and another for the group of people symbolized by alignment D, in The Creation, it is assumed that only
one small grottobase is meant by this symbolism. As for
points Y3 and Z3 of alignments Y and Z that are also collocated with point F4
of alignment F at the Axial Gallery, these alignments and alignment points will
be addressed later in this chapter.
Therefore,
point F4 of alignment F appears to signify the arrival at, and the entering
into of a small grottobase of people involved in transfer activity symbolized
by alignment F. On the map of the
Lascaux cave in the inspired source 1-1 (the map of the Lascaux cave) of Figure
1, point D5 of alignment D is located at the axial Gallery, but not at the same
location as point F4 of alignment F.
Point D5 of alignment D is believed to signify the arrival at, and the
entering into of this small grottobase of people involved in transfer activity symbolized
by alignment D.
After
leaving point F4, alignment F continues to point F5 located in the inspired
source 1-1 (the map of the Lascaux cave) of Figure 1 at a part of the Lascaux
cave, called the Shaft. The Shaft, as
noted previously, is believed to symbolize an occupied, intermediate
grottobase, where a person involved in transfer activity, upon entering,
completed the second step of the mystical pathway of his journey. Here, also, alignment F intersects with
alignments D, N, Y, and Z. Here, also,
point F5 is collocated with points D6, N3, Y1, and Z1. The intersection of alignments F and D, where
points F5 and D6 are collocated was discussed previously in Chapter 4, and is
believed to symbolize that a special relationship existed between the two
groups of people involved in transfer activity symbolized by alignments F and
D. That relationship, as we have seen,
is that the people of the two groups both were people of the Magdalenian
culture involved in transfer activity, and both arrived at the intermediate
grottobase, entered into the latter, and
completed the second step of the mystical pathway of their journey.
The
intersection of alignment F and N, where also points F5 and N3 are collocated
at the Shaft, it is believed, symbolizes the completion of the second step of
the mystical pathway by the people of the Magdalenian culture involved in
transfer activity symbolized by alignment F.
As for points Y1 and Z1 of alignments Y and Z, these are also collocated
with point F5 of alignment F at the Shaft.
These alignments and alignment points will be addressed later in this
chapter.
One difficulty in discussing the third step of the mystical pathway, based on the symbolism present in the multiple inspired source, “Lascaux Cave” (Figure 1), is that the alignments of the two groups of people involved in transfer activity symbolized by alignments D and F, are not capable of being extrapolated any further than the Shaft in the inspired source. The border of the inspired source 1-1 (the map of the Lascaux cave) of Figure 1 will not allow this. However, in the above inspired source, it may be noted that many alignments intersect at the Rotunda. This place of multiple alignment intersections at the Rotunda may symbolize the third step of the mystical pathway. However, as one can see, alignments D and F do not intersect with any of these alignments at the Rotunda. Moreover, these two alignments are not even found at the Rotunda. As we shall see, another set of alignments is used that represent alignments F and D and the two groups of people involved in transfer activity associated with these alignments. This set of alignments enables alignments D and F to intersect, vicariously, at the place called the Rotunda, where multiple intersections of alignments occurs. This is done by means of the substitution of alignments X, Y, and Z for alignments D and F. When this is done, the two groups of people involved in transfer activity, symbolically, can travel on the third step of the mystical pathway of their journey from the Shaft to the Rotunda by means of alignments X, Y, and Z.
What could be the
reason for this unusual symbolism, mentioned above, concerning the third step
of the mystical pathway? Perhaps, a
radical change in transfer activity takes place at the intermediate grottobase
symbolized by the Shaft, when the Magdalenian explorers symbolized by
alignments D and F arrive at that grottobase and enter into it. This radical change in transfer activity, it
is believed, is the spiritual cloning that is carried out at that grottobase,
when people of the two groups of people symbolized by alignments D and F
enter that grottobase and complete the second step of the mystical pathway of their journey. It is the person’s clone, rather than the
person, himself, who, after receiving the latter’s soul-spirit, will leave the
intermediate grottobase and complete the third step of the mystical pathway for
the person. This, it is believed, is the
radical change in transfer activity, mentioned above, that accounts for the
unusual symbolism concerning the third step of the mystical pathway and the
completion of that step by the people of the Magdalenian culture symbolized by
alignments D and F. This unusual symbolism and the procedures associated mark the end of alignments D and F. In
their place, alignments X, Y, and Z are used to complete the third step of the
mystical pathway of a person of the Magdalenian culture involved in transfer
activity.
Commentary
No comments are deemed necessary.
No comments are deemed necessary.
Credits
Figures 1 and 2: The credit references for Figures 1and 2 are found in the Credits of Post 41 (CVIIC1S2)
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