Post 42. The Symbolism Pertaining to the Two Horses Depicted in the Inspired Source 1-2 (the Two Horses) of Figure 1 in the Multiple Inspired Source, "Lascaux Cave" (Figure 1) (The Creation, Volume II: Chapter 1, Subhead 3)

The Symbolism Pertaining to the Two Horses Depicted in the Inspired Source 1-2 (the Two Horses) of Figure 1 in the Multiple Inspired Source, “Lascaux Cave” (Figure 1) (Post 42. CVIIC1S3) 

The two horses depicted in the inspired source 1-2 (the two horses) of Figure 1, it is believed, have two symbolic contexts.  In the first symbolic context, the two horses can be viewed as symbolizing the two pathways-the material pathway and the mystical pathway-that a person of the Magdalenian culture involved in transfer activity followed during his lifetime.  These pathways eventually led the person to a subterranean base, where dwelt living entities of an advanced interstellar civilization.  Here, the person would be received in friendship and be made an associate member of that civilization.  These subterranean bases are referred to in the The Creation as grottobases.  One of these grottobases, apparently, was located in the vicinity of the Lascaux cave.  As we saw in Volume I, the location of this grottobase, vertically, may have been less than a mile beneath the surface of the earth.  But, horizontally, it may have been anywhere between forty to one hundred and thirty miles in any direction from the Lascaux cave.  Inspired sources indicate that the grottobase that received the people of the Magdalenian culture involved in transfer activity in the fifteenth millennium B.C. was located beneath the surface of the earth about one hundred and thirty miles north-northwest of the Lascaux cave near present day La Rochelle, France (Figure 3).³



Figure 3.  A map of southern France showing the location of

the Chauvet cave and Lascaux cave, as well as the general

location of the two transfer activity grottobase complexes

associated with the two caves.  These complexes are 

believed to have existed beneath the surface of the earth 

near Rennes-le-Chateau and La Rochelle, respectively.  

Click on the picture to enlarge the map.

The dark horse depicted on the left in the inspired source 1-2 (the two horses) in the context of the material and mystical pathways, is believed to symbolize the material pathway of a person of the Magdalenian culture involved in transfer activity.  The material pathway was that part of the person’s journey that involved the use of material technology (though from the point of view of modern man this material technology would be consider primitive), and was associated with the surface of the earth.  The mystical pathway, on the other hand, was that part of the person’s journey that involved the use of mystical technology, and was associated with the interior of the earth.  The material pathway of a person of the Magdalenian culture involved in transfer activity in the fifteenth millennium B.C. could be said to have had its beginning at the time of the conception of that person.  Guided by the Creator, in the person of the Holy Spirit, he continued on this pathway during his lifetime until he discovered the Lascaux cave.  At this time, his journey underwent a transition from the material pathway to the mystical pathway. 

A person of the Magdalenian culture involved in transfer activity, it is believed, was motivated by a desire to discover and enter the underworld.  Perhaps, the person believed that the underworld was inhabited by immortals, who dwelt in a subterranean paradise.  He may have also believed that some deceased members of his clan or community, following their death, were among these immortals.  Therefore, caves, such as the Lascaux cave, probably were viewed by some people of that time as possible entrances to the underworld.  The person’s entry into the Lascaux cave for the purpose of locating an entrance to the underworld could be viewed as the final aspect of the third step of the person’s journey on the material pathway.  The completion of this aspect would lead the person to the initial aspect of the first step of his journey on the mystical pathway.  During his journey on the mystical pathway, he would travel through the interior of the earth until he arrived at a large grottobase of a transfer activity grottobase complex.  Here, as noted above, the living entities that dwelt at the grottobase would receive the person in friendship and he would be made an associate member of their civilization.  However, before the person could actually begin the journey on the mystical pathway, he would need to obtain in some manner the instruments of mystical particle transfer.   In The Creation, these three portable instruments are referred to as the helmet, the breastplate, and the sword.

 With regard to the second symbolic context, mentioned above, the two horses depicted in the inspired source 1-2 (the two horses) of Figure 1 can be viewed as symbolizing an operation of mystical technology that is referred to in The Creation as spiritual cloning.  In this regard, the dark horse symbolizes the parent and the light horse symbolizes the clone, or clone offspring, of the parent.  Spiritual cloning will be discussed in greater detail in Chapter 2.  Suffice it here to say that living entities of advanced civilizations and advanced interstellar civilizations, apparently, are capable of being biologically cloned and at some subsequent time, voluntarily die.  At that time, their soul-spirit would depart their body, and be received by their clone offspring.  In The Creation, the soul of the soul-spirit is believed to be the mind of the person, and represents the only part of a person's body that survives his death.  By means of spiritual cloning, a living entity of an advanced civilization or an advanced interstellar civilization is capable of living multiple consecutive lives for many generations with his mind being the basis of this continuity.  This capability is believed to be associated with an operation of mystical technology referred to in The Creation as spiritual cloning, and the longevity that results from a living entity being able to live multiple consecutive lives is referred to as limited immortality.  This limited immortality, it is believed, was one of the reasons-perhaps, the primary reason-that the people of the Magdalenian culture involve in transfer activity entered the Lascaux cave hoping that it was an entrance to the underworld.  However, these people probably did not realize at the time that limited immortality involved an operation of mystical technology that would require them to voluntarily die before they would receive it.
 

 

Figure 1. The three illustrations
(inspired sources: 1-1, 1-2, and
1-3) that are collectively referred
to as the multiple inspired source,

"Lascaux Cave" (Figure 1). Click

on the picture to enlarge.  Photo-

graph of the aurochs, ©AAAC/
TopFoto/The Image Works. 

 

Before turning to the study of the alignments of the multiple inspired source, “Lascaux Cave” (Figure 1), there is a line designated line P in the inspired source that should be addressed first.  This line largely separates the two horses depicted in the inspired source 1-2 (the two horses) of Figure 1.  However, line P does not separate the two horses, completely.  It may be noted that the left hoof of the dark horse extends beyond this line into an area that normally would be considered as the area of the light horse.  Although a relatively minor feature in the overall symbolism of the multiple inspired source, “Lascaux Cave” (Figure 1), line P, it is believed, marks the boundary between the material pathway, which is based on material technology, and is symbolized by the dark horse; and the mystical pathway, which is based on mystical technology, and is symbolized by the light horse.  The extension of the left hoof of the dark horse beyond line P is believed to signify that the material pathway symbolized by the dark horse leads to the mystical pathway symbolized by the light horse.

In addition, it should be noted that both horses in the inspired source 1-2 (the two horses) of Figure 1 are depicted with the right side of their heads in view.  Normally, this would signify that right handed (Satan-like) spiritual attributes, right handed mystical technology, and service to Satan is involved.  Similarly, if the left side of their heads were in view, normally, this would signify that left handed (Christ-like) spiritual attributes, left handed mystical technology, and service to the Creator is involved.  As we shall see, the symbolism of the multiple inspired source, “Lascaux Cave” (Figure 1) clearly indicates that the people of the Magdalenian culture, who were involved in transfer activity between 15,000 B.C. and 14,501 B.C. possessed left handed (Christ-like) spiritual attribute, employed left handed mystical technology, and served the Creator.  In addition, Jesus Christ is depicted in the multiple inspired source, “Lascaux Cave” (Figure 1) as the one directing this transfer activity.  In this regard, he is symbolized by the head of the aurochs in inspired source 1-3 (the aurochs) of Figure 1.  Here, it may be noted that aurochs is depicted with the left side of its head visible to the viewer.  This is believed to signify that left handed (Christ-like) spiritual attributes are involved.

So, how can the right-sided view of the two horses depicted in the above inspired source be explained?  In this regard, it may be noted in the inspire source 1-2 (the two horses) of Figure 1 that the left front hoof of both of the horses is depicted in a more forward position than the right front hoof of these horses.  This may signify that the chirality, or handedness, of the two horses is actually left handed rather than right handed.  Although this may not fully explain the right-sided view of these two horses, this, at least, would be in agreement with what is known concerning the spiritual chirality of the people of the Magdalenian culture involved in transfer activity.  And that chirality, it is believed, was left handed (Christ-like).  In addition, the anatomical similarity of the left front hoof of a horse and the left hand of a person should not be overlooked.  In this case, this similarity may signify left handedness applies, and that the people of the Magdalenian culture involved in transfer activity possessed left handed (Christ-like) spiritual attributes.


Commentary 

The inspired source 1-2 (the two horses) of Figure 1 will be visited many times in the study of the symbolism of the Lascaux cave.  The features of the two horses will be used in many symbolic contexts from depicting the instruments of mystical particle transfer to aspects of subterranean grottobases.  Similarly, features of the inspired sources 1-1 (the Lascaux cave) and 1-3 (the aurochs) will be used in many symbolic contexts , also.  This multiplicity of symbolic contexts based on a common theme-transfer activity and events associated with it-could not have occurred, it is believed, without the Creator causing it to come to pass.  And this is why the multiple inspired source, "Lascaux cave" (Figure 1) and the three inspired sources that comprise it are called inspired. 


Credits

3.  Hetrick, Jack:  The Creation:  Its Infinite Features and Finite Realms, Volume I:  The Mystery of Inspired Sources and Their Significance to Man, ©2013 (The blog:  Inspired Sources and Man’s Destiny by Jack Hetrick (http://www.inspired sources.blogspot.com).

Figure 1:  The credit reference for Figure 1 is found in the Credits of Post 41 (CVIIC1S2).


 

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