The
Creation: Its Infinite Features and
Finite Realms
The Material and Mystical Pathways of a Person
of the Magdalenian Culture Involved in Transfer Activity
Alignment C as It Pertains to the Third Step of the
Material Pathway; Alignment K; and Alignment L
----Alignment K as It Pertains to
Point K5 and the Completion of the Third Step of the Material Pathway
Symbolized by Alignment C (Post 51. CVIIC3S2)
----The Material Road of the
Material Pathway and the Mystical Road of the Mystical Pathway (Post 52. CVIIC3S3)
----Alignment L and the
Instruments of Mystical Particle Transfer (Post 53. CVIIS3S4)
In this chapter we will discuss alignment C and the third step of the material pathway. Alignment C begins at point C1 located at the border of the inspired source 1-3 (the aurochs) of Figure 1. As we have seen, here, also, points A1 and B1 of alignments A and B, respectively, are collocated with point C1, resulting in an unusual triple collocation of alignment points of these alignments. In this regard, point C1 of alignment C, it is believed, symbolizes the oversight of the Father, the first person of the Triune Godhead, in making possible transfer activity by a person of the Magdalenian culture, and the completion of the third step of the material pathway of his journey.
Figure 1. The three illustrations
(inspired sources: 1-1, 1-2, and
1-3) that are collectively referred
to as the multiple inspired source,
"Lascaux Cave" (Figure 1). Click
on the picture to enlarge. Photo-
graph of the aurochs, ©AAAC/
TopFoto/The Image Works
TopFoto/The Image Works
Figure 2. The three illustrations
(inspired sources: 2-1, 2-2, and
2-3) that are collectively referred
to as multiple inspired source,
"Lascaux Cave" (Figure 2) with
alignments not drawn for better
viewing of the inspired source.
Click on the picture to enlarge.
Photograph of the aurochs, ©AAAC/
TopFoto/The Image Works.
TopFoto/The Image Works.
After
leaving point C1, alignment C proceeds to point C2 located at the base of a
linear anomalous feature depicted in the inspired source 1-3 (the aurochs) of
Figure 1, continues to point C3 located at the top of the same anomalous
feature, mentioned above, continues to point C4 located at the belly of the
dark horse in the inspired source 1-2 (the two horses) of Figure 1, continues
to point C5 located at the top of the anomalous feature that resembles a
discoid spaceship in the inspired source 1-2 (the two horses) of Figure 1,
continues to point C6 located at no place of apparent symbolic significance in
the same inspired source, and terminates at point C7 located at a specific
place on the map of the Lascaux cave in the inspired source 1-1 (the map of the
Lascaux cave) of Figure 1. This place is
a part of the Lascaux cave called the Chamber of the Felines.
Returning
to points C2 and C3, located at the bottom and top of the anomalous linear
feature, mentioned above, the two points, it is believed, symbolize the
oversight of the Son (the Word) and the Holy Spirit, the second and third
persons of the Triune Godhead, respectively, in making possible transfer
activity by a person of the Magdalenian culture, and the completion of the
third step of the material pathway of his journey. This oversight by the Triune Godhead-the
Father, the Son (the Word), and the Holy Spirit-may have involved preparing the
person, who would be transferred, for the completion of the third step of the
material pathway of his journey. This
preparation probably involved the transport of the person involved in transfer
activity by a disc spaceship from a place near his clan or community to the
entrance of the Lascaux cave.
The person, mentioned above, and as many as four others, accompanying him, may have set out earlier that day with the intention of exploring the cave that one or more of them had discovered the previous day. However, on the way, it is possible that they encountered a disc spaceship that suddenly appeared in the air above the or near them. By means of this maneuver, the living entities aboard the spaceship may have intended to test the courage of the people on the ground. Perhaps, anyone that fled the hovering spaceship would not be permitted to continue and complete the third step of the material pathway. These people would be allowed to return to their clan or community, but not before being subjected to post hypnotic suggestion-like mind control techniques that would cause them to have no conscious memory of their experiences concerning the spaceship that they had encountered that day. At this time, we shall discuss the significance of the symbolism of point C4 of alignment C as this point relates to what has been stated above.
As we have seen, points A4, B4, and C4 of alignments A, B, and C are located at the belly of the dark horse and in proximity to the place, where the heart of the animal would be expected to be located. The heart, in this case, is believed to symbolize “heart,” or courage. Each step of the material pathway caused the person involved in transfer activity to grow in courage. This is indicated by the location of the three alignment points A4, B4, and C4. Although each point is closer to this place than the one before it in the sequence, only point C4 is located at the actual place, where the heart of the animal would be expected to be found. The latter point, therefore, symbolizes the level of courage that would be necessary for the people involved in transfer activity to possess, in order to complete the third step of the material pathway of their journey.
It is not known for certain, how the people involved in the third step of the material pathway of transfer activity were taken aboard the spaceship. It is possible that they were subjected to a beam of some kind-one based on mystical technology-that caused them to lose consciousness. Then, they may have been lifted up and taken aboard the spaceship by means of a transport beam, also based on mystical technology. Once aboard the spaceship, it is not known what took place. Perhaps, all regained consciousness aboard the spaceship and the leader was instructed in the use of the instruments of mystical technology. Perhaps, at the same time, the leader and the others were also instructed in the use of a battery powered lamp. Then, when the spaceship had arrived at the cave, the explorers may have been rendered unconscious, once more. But before this, they may have been subjected to post hypnotic suggestion-like mind control techniques that caused them to have no memory of their experiences that day from the time they first encountered the spaceship until the time they observed the spaceship until they awoke from their unconscious state at the entrance of the Lascaux cave. As for the disc spaceship, it probably would have departed the cave before the explorers awoke. After the departure of the spaceship, the Magdalenian explorers would awake and walk a few yards and discover the entrance of the cave.
Having no conscious memory of the time that they spent aboard the spaceship, they would assume that they had walked the entire distance and had arrived at the cave and had taken a short nap. It may have been at this time that they discovered the battery powered lamps, one for each of them. Because they had been instructed in their use aboard the spaceship, they instinctively knew how to operate them, though they had no conscious recollection of this instruction. They may have considered these technological wonders to be gifts from the immortals dwelling in the underworld. In addition, they may have considered these gifts to be an invitation to them to enter the cave and begin their journey. Therefore, the explorers would have had no need to build a fire and light their torches and oil burning lamps with wicks that they had brought with them for the purpose of exploring the cave. They would simply use the battery powered lamps that had been provided. Before going further, we should discuss points C5 and C6 of alignment C, and the significance of the symbolism of these points with respect to what has been stated above.
Point C5 of alignment C is located at the top of the anomalous feature that resembles a disc spaceship in the inspired source 1-2 (the two horses) of Figure 1. This symbolizes, it is believed, the third contact with the living entities aboard a discoid spaceship by a person of the Magdalenian culture involved in transfer activity. This, of course, was the most important contact because, as we have seen, it enabled the person to be transported to the Lascaux cave to complete the third step of the material pathway of his journey. Then, he could begin the first step of the mystical pathway of his journey. With regard to the post hypnotic suggestion-like mind control techniques that a person of the Magdalenian culture involved in transfer activity experienced at the time of the completion of the third contact, these, it is believed, are symbolized by the collocation of point C6 and M3 of alignments C and M, respectively.
Point C6 of alignment C is located at a place in the inspired source 1-2 (the two horses) of Figure 1 that does not appear to have symbolic significance. However, as noted above, this is a place, where point M3 of alignment M is collocated with point C6 of alignment C. As we saw with regard to point A6 of alignment A and its collocation with point M4 of alignment M, as well as point B6 of alignment B and its collation with point M3 of alignment M, alignment M appears to symbolize the use of post hypnotic suggestion-like mind control techniques that were employed by the living entities of the advanced interstellar civilization aboard the spaceship. Therefore, it is assumed that these techniques were employed by the living entities, mentioned above, at the conclusion of the contact associated with that step. Each of the three contacts, apparently, concluded with the person involved in transfer activity being subjected to these techniques.
Following the departure of the spaceship and after the leader of the Magdalenian explorers and those accompanying him entered the Lascaux cave, it might be assumed that they had completed the third step of the material pathway of their journey. However, alignment K, which signifies the actual completion of each step of the material pathway, indicates that that did not occur until the explorers arrived at the part of the Lascaux cave, called the Chamber of the Felines. It is here in inspired source 1-1 (the map of the Lascaux cave) of Figure 1 that alignment K intersects with alignment C at collated points K5 and C7. It may be recalled that the intersection of alignment K with alignment A at collocated points K3 and A6 marked the actual completion of the first step of the material pathway. Similarly, the intersection of alignment K with alignment B at collocated points K4 and B7 marked the actual completion of the second step of the material pathway. So, likewise, the intersection of alignment K and alignment C resulting in the collocation of points K5 and C7 marks the completion of the third step of the material pathway.
However, the completion of that step, like that of the second step, involves an additional activity that, apparently, took place that did not take place at the completion of the first step. In the case of the completion of the second step, this was the actual cloning of the biological cells of the person involved in transfer activity. In the case of the completion of the third step, this was the discovery by the people involved in transfer activity of the instruments of mystical particle transfer left for them to find by the living entities aboard the spaceship. These were located at the transfer point of the cave in a part of the Lascaux cave called the Chamber of the Felines. This place, and not the entrance of the Lascaux cave, where the third contact involving post hypnotic suggestion-like mind control techniques took place, marked the completion of the third step of the material pathway.
Therefore, a distinction should be made between the conclusion of the contacts involving the first, second, and third steps of the material pathway (which involves the collocated alignment points A6 and M5, B6 and M4, and C6 and M3) and the actual conclusion of the first, second, and third step of the material pathway (which involves the collocated alignment points A6 and K3, B7 and K4, and C7 and K5). The conclusion of the third step of the material pathway can be viewed as taking place at the transfer point within the Lascaux cave, located in a part of the cave, called the Chamber of the Felines.
Here, in the Chamber of the Felines, the Magdalenian explorers involved in transfer activity would have discovered the instruments of mystical particle transfer. By means of these instruments, which are referred to in The Creation as the helmet, the breastplate, and the sword, they would be able to begin the first step of the mystical pathway of their journey. Eventually, they would arrive at a large grottobase of a transfer activity grottobase complex. Here, they would be received in friendship by the living entities of an advanced interstellar civilization that dwelt here, and become associate members of that civilization.
Commentary
The third step of the material pathway of a person of the Magdalenian culture involved in transfer activity in the fifteenth millennium B.C. may be analogous to a certain kind of activity that inspired sources reveal will take place in the period of time referred to in Christian eschatology as the tribulation period (Dan. 9:27; Mt. 24: 15-21) in the day of the Lord (Isa. 2:10-17; Joel 1:1-11). But, beyond this, it may be neither wise nor necessary to discuss this activity until the time arrives when the Creator begins to cause these things to come to pass.
In this chapter, Chapter 3 (Posts 50-53), we will discuss symbolism concerning the material road of the material pathway and the mystical road of the mystical pathway. We shall discuss alignments C, K, and M. And we shall discover that alignment C depicts, symbolically, the third step of the material pathway of the people of the Magdalenian culture in the fifteenth millennium B.C. Alignment L with its three alignment points that symbolize the three instruments of mystical particle transfer will be discussed, also.
Credits
Figures 1 and 2: the credit references for Figures 1 and 2 are found in the Credits of Post 41 (CVIIC1S2)
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