Wednesday, April 9, 2014

Post 45. Alignment M as It Pertains to Post Hypnotic Suggestion-Like Mind Control Techniqes (The Creation, Volume II: Chapter 1, Subhead 6)


Alignment M as it Pertains to Post Hypnotic Suggestion-Like Mind Control Techniques (Post 45. CVIIC1S6)

Alignment M is related to the three contacts that are associated with the three steps of the material pathway of a person of the Magdalenian culture involved in transfer activity.  In this regard, alignment M is believed to symbolize the post hypnotic suggestion-like mind control techniques that were used by the living entities of an advanced interstellar civilization in their relationship with the people of the Magdalenian culture involved in transfer activity.  These techniques, it is believed, were used shortly after the completion of each of the three contacts associated with the three steps of the material pathway of a person involved in transfer activity.  The purpose of this mind control, it is believed, was to prevent the people involved in transfer activity from revealing their experiences concerning these contacts to other people of their clan or community.  To do so, may have compromised the secret purpose of the Lascaux cave and the role of the living entities of the advanced interstellar civilization that assisted members of mankind complete their transfer activity.  In addition, if  knowledge of transfer activity were to become generally known among the people of the Magdalenian culture, this probably would have caused psychological harm of some kind to these people and hinder the development of mankind toward the ultimate purpose that the Creator had in mind for him.

Therefore, based on inspired sources, it appears that following all three contacts associated with the completion of the three steps of the material pathway, the person involved in transfer activity was subjected to post hypnotic suggestion-like mind control techniques.  His memory was altered in such a way that he possessed no conscious memory or recollection of these contacts and the events that pertained to them.  However, the person would have a subconscious memory of these contacts and the events that pertained to them.  And this would be sufficient to enable him to complete the material and mystical pathways of his journey, and become an associate member of an advanced interstellar civilization, that is, the one that had assisted him to accomplish this.  Sometime afterward, it is assumed that his conscious memory of these contacts and all events that pertained to them would be restored, and he would remember these experiences.
 
 
Figure 1.  The three illustrations
(inspired sources: 1-1, 1-2, and
1-3) that are collectively referred
to as the multiple inspired source,
"Lascaux Cave" (Figure 1).  Click
on the picture to enlarge. Photo-
graph of the aurochs, ©AAAC
TopFoto/The Image Works.

So, just as points A5, B5, and C5 of alignments A, B, and C symbolize the three contacts associated with the completion of the three steps of the material pathway of a person of the Magdalenian culture involved in transfer activity, points M3, M4 and M5 of alignment M symbolize the three post hypnotic suggestion-like mind control events that concluded the three contacts.  In this regard, point M5 is collocated with point A6 of alignment A, point M4 is collocated with point B6 of alignment B, and point M3 is collocated point C6 of alignment C.

It is not known, for certain, what kind of techniques comprised the post hypnotic suggestion-like mind control techniques of the living entities of the advanced interstellar civilization, mentioned above.  Neither is it known how these techniques were administered to a person of the Magdalenian culture involved in transfer activity.  However, points M1 and M2 of alignment M may offer a clue.  It may be noted that points M1 and M2, unlike points M3, M4, and M5, is not collocated with any other alignment point in inspired source 1-2 (the two horses) of Figure 1.  This may indicate that the symbolism of points M1 and M2 needs to be interpreted differently than that of points M3, M4, and M5, which are associated with alignments A, B, and C. 

Points M1 and M2 of alignment M are located at the end of the two ears of the dark horse.  In this area, also, the mane and the back of the head of the dark horse meet.  The combination of the two ears, the mane, and the back of the head of the dark horse, and the association of points M1 and M2 with this area, may signify that magnetism was used in post hypnotic suggestion-like mind control techniques, and this, in some way, affected the memory of the mind of a person subjected to these techniques.  The magnetic flux of a magnetic field is frequently symbolized in inspired sources by long strands of hair, such as those, that comprise the mane of a horse.  Therefore, the mane of the dark horse in the inspired source may symbolize the magnetic flux of a magnetic field.  If so, this magnetic flux, acting upon the brain may have been used to affect the mind of a person of the Magdalenian culture involved in transfer activity.  This, presumably, took place after each of the three contacts, mentioned above. 

If the mane of the dark horse symbolizes the magnetic field used in post hypnotic suggestion-like mind control techniques and the back of the head of the horse symbolizes the brain of the person, who was administered these techniques, what might the two ears of the dark horse symbolize in this context?  The ends of the two ears, where points M1 and M2 of alignment M are located may symbolize the apparatus, or two components of the apparatus, that was used to administer the post-hypnotic suggestion-like mind control techniques.  If so, this apparatus, it is assumed, would be based on mystical technology.


Commentary 

No comments are deemed necessary. This subhead concludes Chapter 1 of The Creation:  Its Infinite Features and Finite Realms, Volume II:  The Material and Mystical Pathways of a Person of the Magdalenian Culture Involved in Transfer Activity.


Credits  

Figure 1:  The credit reference for Figure 1 is found in the Credits of Post 41 (CVIIC1S2). 

                  





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