Post 53. Alignment L and the Instruments of Mystical Particle Transfer (The Creation, Volume II: Chapter 3, Subhead 4)

Alignment L and the Instruments of Mystical Particle Transfer (Post 53. CVIIC3S4)

The instruments of mystical particle transfer, it is believed, are symbolized in Figure 5¹ by three anomalous features. Figure 5 is taken from the inspired source 1-2 (the two horses) of Figure 1 (see Post 52).  The dark horse, as we have seen, symbolizes the material pathway and material technology.  Therefore, the association of the three instruments of mystical particle transfer with the dark horse seems puzzling, at first.  However, it is possible that the principles of these instruments, separately, are based on material technology, but, collectively, are based on mystical technology, and as such, are capable of transferring mystical particles from the mystical realm to the matter universe of the material realm of the creation.  These three portable instruments and the places of a person’s body, where they are worn, or held in hand, is symbolized by alignment L in the above inspired source.  

Alignment L begins at point L1 located at the end of the nose of the dark horse, proceeds to point L2 located at the end of the highlighted, dark, anomalous feature in contact with the upper part of the chest of the dark horse, and continues to point L3 located at the end of the left hoof of the light horse (Figure 5).  In this regard, points L1, L2, and L3 of alignment L symbolize the three instruments of mystical particle transfer, that is, the helmet, the breastplate, and the sword, respectively.  All three of the alignment points, mentioned above, are associated with the dark horse, and as we have seen, the latter symbolizes the material pathway and material technology.  However, if alignment L is extrapolated beyond point L3, the last alignment point of alignment L, it is found to intersect the end of the tail of the light horse, where point E2 of alignment E is located. 

As we have seen in this chapter, and shall see again in Chapter 4, the tail of the light horse in Figure 5 symbolizes the mystical road of the first step of the mystical pathway.  Therefore, the extrapolation of alignment L to point E2 of alignment E at the end of the tail of the light horse would seem to signify that the three instruments of mystical particle transfer, symbolized by points L1, L2, and L3 of alignment L, are employed by a person of the Magdalenian culture involved in transfer activity during his journey on the mystical road of the mystical pathway.  The mystical road, in this regard, is symbolized by the part of the tail of the light horse between points E2 and E3 of alignment E in Figure 5.

 

 

Figure 5.  The instruments of mystical particle transfer

symbolized by points L1, L2, and L3 of alignment L. Note

the anomalous feature (highlighted), designated point L2,

to the right of the chest of the dark horse that symbolizes a

breastplate.  Associated with the light horse are points

E2 and E3 of alignment E, which symbolize the beginning

and the end of the mystical road of the mystical pathway 

of the Lascaux cave, respectively. Click on the picture to

enlarge.

                                            
In addition, the extrapolation of alignment L beyond point L3 to point E2 of alignment E at the end of the tail of the light horse appears to signify that the instruments of mystical particle transfer, symbolized by points L1, L2, and L3 of alignment L, initially, are used at the beginning of the mystical road, which is located in a part of the cave, called the Chamber of the Felines (the transfer point of the Lascaux cave).  This corresponds to point E2 of alignment E, located at the end of the tail of the light horse.  The end of the mystical road, in this context, corresponds to point E3 of alignment E, located at the place of origin of the tail of the light horse.  This alignment point symbolizes the place in the interior of the earth, where the mystical road of the mystical pathway ends and is joined to an excavated tunnel. 


Commentary 

This subhead concludes Chapter 3 of The Creation:  Its Infinite Features and Finite Realms, Volume II: The Material and Mystical Pathways of a Person of the Magdalenian Culture Involved in Transfer Activity.


Credits

1.  Branigan, K., Consultant Editor:  The Atlas of Archaeology, ©1982, from the article: "Lascaux" by S. and T. Champion, 30-31 (St. Martin's Press)




Fair Use Notice: This post may contain copyrighted material the use of which has not been specifically authorized by the copyright owner. 

This blog distributes this material by means of this blog without profit to those who have expressed an interest in receiving it for research and educational purposes.  We believe this constitutes a fair use for any such copyrighted material as provided for in 17 U.S.C § 107.